Lost London – The Roman basilica and forum…
May 25, 2012
In its ultimate grandiose form, Londinium’s basilica, the city’s first civic centre, was the largest building of its day, and in fact was the largest building of its type west of the Alps.
Located where Gracechurch Street now stands, the first basilica, which served as a town hall and law courts, was first erected in 70AD on high ground to the east of the now hidden Walbrook stream. It stood at one end of the forum or marketplace, enclosed on its other sides by shops and offices.
Twenty years after the first complex containing the basilica had been constructed, work began on a second, far larger basilica and forum on the same site. This took 30 years to complete and involved the removal of surrounding houses and other nearby structures.
The new basilica, which consisted of a large hall with a nave, was three stories high and apparently could be seen from all over the city. At the eastern end of the building’s nave was a raised platform, known as a tribune, where judges would have sat. The new forum’s central rectangular courtyard measured 100 metres by 85 metres in size.
The buildings were variously repaired over the years before being largely destroyed at the start of the 4th century. Speculation is that the destruction was carried out as punishment for London’s support of Carausius, who had declared himself emperor of Britain and northern Gaul in the late 200s. It is believed the eastern end of the basilica was perhaps retained and used as a temple or perhaps even an early church.
Sections of the walls of the basilica and forum apparently still survive in basements around Gracechurch Street today (including apparently in the basement of hairdressers Nicholson and Griffin at 90 Gracechurch Street). The eastern end of the complex now lies under the Leadenhall Market.
For more, see www.museumoflondon.org.uk/Collections-Research/Research/Your-Research/Londinium/analysis/publiclife/structures/15+Forum.htm
Interesting reads on Roman Londinium include Jenny Hall’s Roman London (The Museum of London), and John Morris’ Londinium: London In The Roman Empire. It also worth getting hold of Londinium: A New Map and Guide to Roman London
, an invaluable resource for those wanting to come to grips with the city in Roman times.
• Leicester Square officially reopened last night following a £15.3 million transformation which has seen every paving stone replaced, new plants, and 40 new water jets placed around the Grade II listed fountain and statue of William Shakespeare. The 17 month makeover also included new lighting, new seating and a refurb of the underground toilets. The square – which owes its name to Robert Sidney, the 2nd Earl of Leicester, who purchased this land in 1630 and, after building himself a mansion, kept aside part of the land for public use – now welcomes as many as 250,000 tourists a day and is known as one of the world’s premiere sites for the release of new films.
• The Royal Academy of Arts is marking the Queen’s Diamond Jubilee with a new exhibition opening tomorrow which features a selection of paintings by Royal Academicians elected during the early part of the Queen’s reign. The Queen’s Artists will include works by Jean Cooke, Frederick Gore and Ruskin Spear and will be displayed in the Reynolds and Council Rooms. Meanwhile The Saloon will house a collection of sculptures, paintings and drawings prepared by Royal Academicians for British coins and royal seals on loan from the Royal Mint Museum. The collection includes portraits of the Queen by Edward Bawden and Sir Charles Wheeler which have never before been shown in public, and Sir Anthony Caro’s new coin design of the London 2012 Olympic Games. Over in the Tennant Gallery, The King’s Artist’s George III’s Academy, will look at the king’s role in the foundation of the academy in 1768 and his influence in selecting the first artists. Highlights include portraits of King George III (pictured) and Queen Charlotte painted by the academy’s first president, Sir Joshua Reynolds. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Copyright Royal Academy of Arts, London/John Hammond.
• A new exhibition focusing on Londoners and their treasured souvenirs commemorating Queen Elizabeth II opens tomorrow at the Museum of London. At Home with the Queen features 12 photographic portraits of Londoners at home with their mementos as well as a selection of royal commemorative objects from the museum’s collection. The latter include trinkets produced for Queen Victoria’s Diamond Jubilee in 1897, official Coronation Day street decorations, Silver Jubilee paper tableware and souvenirs relating to the current Diamond Jubilee. Runs until 28th October. Admission is free. For more (including a series of events running on conjunction with the exhibition), see www.museumoflondon.org.uk.
• The Royal Parks’ Shire horse, Jed, retired last week after a decade of service working in Richmond Park. The Queen presented a commemorative retirement rosette to Jed who was born in 1993 and joined the Royal Parks from Bass Brewery in Burton upon Trent almost 10 years ago. Horses have been used in Richmond Park since it was enclosed by King Charles I in 1637. The horses took a break in 1954 but the Shires were reintroduced in 1993 as a way to sustainably manage the parkland. For more on Richmond Park, see www.royalparks.org.uk/parks/richmond-park.
• On Now: The horse: from Arabia to Royal Ascot. This major free exhibition at the British Museum is part of the august institution’s Diamond Jubilee celebrations and traces the history of the horse from domestication around 3,500 BC through to present day, with a particular focus on Britain’s equestrian tradition, from the introduction of the Arabian breed in the 18th century to events like Royal Ascot. Highlights include one of the earliest known depictions of horse and rider – a terracotta mould found in Mesopotamia dating from around 2000 to 1800 BC, a cylinder seal of Darius dating from 522 to 486 BC depicting the king hunting lions in a chariot, a 14th century Furusiyya manuscript, an Arabian manual of horsemanship, and the 19th century Abbas Pasha manuscript, the primary source of information about the lineage of purebred Arabian horses acquired by Abbas Pasha (mid-nineteenth century viceroy of Egypt). The exhibition is being held in Room 35. Runs until 30th September. For more, see www.britishmuseum.org.
LondonLife – The RHS Chelsea Flower Show…
May 22, 2012
Yes, it’s that time of the year again when Chelsea is all abloom! This year the flower show is marking the Queen’s Diamond Jubilee with a specially designed flower bed designed by the Parish of St Helier in Jersey, the centrepiece of which is a rotating Jersey Accession Issue Postal stamp (pictured above). During a visit to the Flower Show on Monday (pictured below, this took place prior to the public opening today), Queen Elizabeth II, patron of the show, awarded the first ever Diamond Jubilee Award for the Best Exhibit in the Great Pavilion to HM Hyde & Son for their display of lilies. Among the other ways in which the show is marking the Diamond Jubilee is the opening of an exhibition of photographs of the Queen’s past visits to the show. The flower show runs until Saturday (while tickets are sold out, you can check in person daily at the ticket office for returned tickets). For more, see www.rhs.org.uk/Shows-Events/RHS-Chelsea-Flower-Show/2012. PICTURES: Andy Paradise (courtesy of RHS).
Where is it? #29…
May 18, 2012
The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!
Bit of a harder one this week – these Escher-like patterns are found on a series of tiles located a wall in Waithman Street in the City of London (they are actually on the back of a building at 100 Bridge Street). According to the Tiles & Architectural Society Ceramics Society’s Gazetter, the 23 handmade stoneware tile panels were the 1992 creation of potter Rupert Spira, carried out at the behest of developers Rosehaugh Stanhope. While Spira apparently made 18,000 tiles for a garden in Paris, the tiles in Waithman Street were his only ever British commission for tiles. Waithman Street, incidentally, is named for Robert Waithman, a draper and MP who was elected Lord Mayor of London in 1823.
Around London – Museums at Night; Ballgowns at the V&A; Edward Lear plaqued; and, the Queen’s portrait at the NPG…
May 17, 2012
• It’s Museums at Night weekend which means its your chance to see some of London’s best museums after hours. Culture24′s annual event, which runs from 18th to 20th May, features more than 5o late openings and special events in London – from after dark visits to Aspley House, the former home of the Duke of Wellington, to the chance to hear about the history of ‘Bedlam’, one of the world’s oldest psychiatric facilities, at the Bethlem Archives & Museum and Bethlem Gallery, and a “Cinderella shoe” workshop at the Design Museum. As well as organisations like the British Museum and National Gallery, among the lesser known museums taking part are the Cuming Museum in Southwark, the British Dental Association Museum, and the Ragged School Museum in Mile End. For all the details, follow this link…
• Saturday sees the opening of a new V&A exhibition featuring more than 60 ballgowns dating from 1950 to the present day – the first exhibition to be held in the newly renovated Fashion Galleries. Among those gowns on display as part of Ballgowns: British Glamour Since 1950 will be royal ballgowns including a Norman Hartnell gown designed for Elizabeth, the Queen Mother, Catherine Walker’s ‘Elvis Dress’ worn by Princess Diana (pictured), and gowns worn by today’s young royals. There will also be gowns worn by celebrities including Sandra Bullock, Liz Hurley and Bianca Jagger and works by the likes of Alexander McQueen, Jenny Packham and a metallic leather dress designed by Gareth Hugh specifically for the exhibition. Runs from 19th May to 6th January. Admission charge applies. See www.vam.ac.uk for more. PICTURE: Victoria and Albert Museum, London
• The man credited with popularising the modern-day limerick, Edward Lear, has been honored with a green plaque at his former house in Westminster. The Westminster Council plaque was unveiled on Saturday – what would have been his 200th birthday – at 15 Stratford Place where he lived from 1853 until 1869. Lear, who was born in Holloway and raised in Grays Inn Road, was famous for his work The Owl and the Pussycat, and as well as for his writings, was also noted as an artist and illustrator. Councillor Robert Davis reportedly had a go himself at a limerick in honour of the artisy: “There once was man named Lear, who lived in a spot close to here. This plaque unveiled today, is a fitting way, to pay tribute on his two hundreth year”.
• On Now: The Queen: Art and Image. Having been on tour across Britian, this exhibition features some of the most remarkable images ever created of the Queen opened at the National Portrait Gallery this week. Containing works by Cecil Beaton and Annie Leibovitz, Pietro Annigoni and Andy Warhol, the exhibition is the most wide-ranging exhibition of images in different media ever devoted to a single royal sitter. Highlights include full-length 1954-55 painting by Annigoni (pictured, right, it’s displayed with his 1969 portrait), Lucian Freud’s 2000-01 portrait and Thomas Struth’s recent large-scale photograph of both the Queen and the Duke of Edinburgh as well as a never previously loaned 1967 portrait by Gerhard Richter and a specially commissioned holographic portrait. Runs until 21st October. Admission charge applies. For more, see www.npg.org.uk. PICTURE: Queen Elizabeth II, Queen Regent by Pietro Annigoni, 1954-5. The Fishmongers’ Company
LondonLife – Wellington Arch reopens…
May 15, 2012
A newly refurbished Wellington Arch reopened last week with a new exhibition dedicated to Stonehenge. Stonehenge: Monumental Journey, which runs until 24th June in the arch’s Quadriga Gallery, show how visitors to the monument have interacted with it over time and look at how it new works will see it reconnected with the landscape around it. Other exhibitions in the Quadriga Gallery later this year include Blackpool: The Wonderland of the World, The Ladies of Kenwood, and Egypt in England. The refurbished arch also now contains a bookshop dedicated to English Heritage publications. For more on the history of Wellington Arch, see our previous entry here.
WHERE: Aspley Way, Hyde Park Corner (nearest Tube station is Hyde Park Corner); WHEN: 10am to 5pm, Wednesday to Sunday (until 28th March, 2013); COST: £4 an adult/£2.40 a child/£3.60 concession/£21.30 family (English Heritage members free); WEBSITE: www.english-heritage.org.uk/daysout/properties/wellington-arch/
London Pub Signs – The Marquess of Anglesey
May 14, 2012
While it’s said there’s been a public house on this site since 1682, the name of the current premises on the corner of Bow and Russell Streets in Covent Garden came much later.
Originally two premises which have now merged together, the pub takes its name from Henry Paget, an 18th and 19th military man who was most famous for his role as cavalry commander at the Battle of Waterloo.
Paget, whose leg had to be amputated after the battle after he was struck by a cannon ball in the closing stages, was created Marquess of Anglesey just two weeks later in thanks for his service. He subsequently served in government roles after the battle, including as Lord High Steward of England and, (for the second time) as Lord Lieutenant of Ireland.
His private life was as colourful as his career – he had eight children by his first wife, Lady Caroline Villiers, before eloping with the Duke of Wellington’s sister in law, Lady Charlotte Cadogan, with whom he had a further 10 children.
For more on the pub, take a look at its website at www.themarquess.co.uk.
For a great book on London’s pubs, take a look at London’s Best Pubs: A Guide to London’s Most Interesting & Unusual Pubs.





