In which we continue our look at some of London’s connections with Dickens’ writings…

• ‘Oliver Twist’ workhouse, Cleveland Street. The building, recently heritage listed following a campaign to save it, is said to have served as the model for the workhouse in Oliver Twist and was apparently the only building of its kind still in operation when Dickens wrote the book in the 1830s. Dickens had lived as a teenager nearby in a house in Cleveland Street and was living less than a mile away in Doughty Street (now the Charles Dickens Museum) when he wrote Oliver Twist. Thanks to Ruth Richardson – author of Dickens and the Workhouse: Oliver Twist and the London Poor - for mentioning this after last week’s post.

• Clerkenwell Green. It is here that Mr Brownlow first comes into contact with Oliver Twist and, mistakenly suspecting him of stealing from him, chases him through the surrounding streets. Interestingly, the grass (which you would expect when talking about a green) has been gone for more than 300 years – so it wasn’t here in Dickens’ time either.

• Barnard’s Inn, Fetter Lane. It was here, at one of London’s Inns of Court, that Pip and Herbert Pocket had chambers in Great Expectations. Barnard’s Inn, now the home of Gresham College, is only one of a number of the Inns of Court with which Dickens and his books had associations – the author lived for a time at Furnival’s Inn while Lincoln’s Inn (off Chancery Lane) features in Bleak House and the medieval Staple Inn on High Holborn makes an appearance in his unfinished novel, The Mystery of Edwin Drood. And, as mentioned last week, Middle Temple also features in his books.

• ‘Dickens House’, Took’s Court. Renamed Cook’s Court in Bleak House, the house – located in a court between Chancery and Fetter Lane – was where the law stationer Mr Snagsby lived and worked in the book. It’s now occupied by music promoter and impresario Raymond Gubbay.

• London Bridge. The bridge, a new version of which had opened in 1831 (it has since been replaced), featured in many of Dickens’ writings including Martin Chuzzlewit, David Copperfield and Great Expectations. Other bridges also featured including Southwark Bridge (Little Dorrit) and Blackfriars Bridge (Barnaby Rudge) and as well as Eel Pie Island, south-west along the Thames River at Twickenham, which is mentioned in Nicholas Nickleby.

We’ve only included a brief sample of the many locations in London related in some way to Dickens’ literary works. Aside from those books we mentioned last week, you might also want to take a look at Richard Jones’ Walking Dickensian London,  Lee Jackson’s Walking Dickens’ London or, of course, Claire Tomalin’s recent biography, Charles Dickens: A Life.

A 17th century public executioner famed for his botched executions, Jack Ketch looms as an infamous figure in British history and a byword for brutality and executioners in general.

Ketch’s origins are unknown (he’s also known as John Catch) but he is believed to have received his appointment as a public hangman sometime in the early to mid 1660s – the first recorded mention of him in that role, in a pamphlet celebrating his handiwork, dates from 1678. Such was his self-importance that he apparently adopted the title Esquire and apparently asked for his letters to be addressed to Dr John Ketch.

Among those who died at his hand were those accused of involvement in the Popish Plot against the Crown – a Catholic conspiracy to assassinate King Charles II which was all apparently fabricated by Titus Oates. These included William Staley and Edward Coleman both of whom were hung, drawn and quartered in 1678 (Ketch was also charged with whipping Oates following his perjury conviction).

But Ketch’s most infamous executions, the only two beheadings he is known to have performed, became notorious because of the botched manner in which they were carried out.

It was reported that it took Ketch three blows to strike off the head of William, Lord Russell, when he was executed for treason on 21st July, 1683 (he had opposed the succession of James II and was accused of involvement in the Rye House Plot), although Ketch apparently denied suggestions he had turned up drunk and blamed Lord Russell for flinching.

The beheading of James Scott, the Duke of Monmouth (and illegitimate son of King Charles II), on 15th July, 1685 (pictured above in a print from the time), was apparently even worse – it took Ketch five blows to take off his head and he apparently finished the job with a knife after having almost given up halfway through. Monmouth had been captured following the Battle of Sedgemoor in July 1685 in which he led an army having declared himself king (more on that another time).

Ketch fell out of favor with the authorities later that year and was briefly gaoled in Bridewell prison. He was reinstated but his return to the job of public executioner was only short-lived for he died in 1686 and is believed to have been buried in St James’ in Clerkenwell on 29th November, 1686.

He was survived by his wife Katherine, who apparently stood by her man despite the public feeling against him, and is it generally assumed a girl Susanna who was baptised at the church in Clerkenwell in 1668 – some 18 years before his death – was his daughter.

Following his death, Ketch’s name was adopted by subsequent public hangmen – he even appeared as an ongoing character in Punch and Judy shows.

For more on Ketch, see Tim Wales’ article Jack Ketch in the Oxford Dictionary of National Biography (a subscription is required for access).

PICTURE: Wikipedia.

London is redolent with sites which appeared in the books of Charles Dickens and, having had a look at his life, it’s time we turn our attention to some of the sites relevant to his writing. For the next two weeks, we’re looking at just a few of the many, many sites which feature in his novels. So, here’s seven places to get us going…

• Saffron Hill, Clerkenwell. Once a notorious slum akin to St Giles (see last week’s entry) and the city’s Italian Quarter, Saffron Hill is where Fagin and his gang of thieves operate in Oliver Twist and have their den.

• Chancery Lane, Holborn. Much of the novel Bleak House is set around this narrow street between High Holborn and Fleet Street – Tom Jarndyce kills himself in a coffee shop here in the novel and Lincoln’s Inn Hall – formerly home of the High Court of Chancery – also features.

• The Old Bailey. Some have suggested Dickens worked here as a court reporter although there is no compelling evidence he did so. But the the Old Bailey (the current building dates from the early 20th century, well after Dickens’ death) and Newgate Prison certainly featured in his books – it is here that Fagin is eventually hung in Oliver Twist.

• Child & Co’s Bank, Fleet Street. While the present building dates from 1878, Dickens is believed to have used the bank as the model for Tellson’s Bank in A Tale of Two Cities.

• St Dunstan-in-the-West, Fleet Street. In David Copperfield, David and his aunt, Betsy Trotwood, make a special trip to see the giants Gog and Magog strike the church bells. It also features in Barnaby Rudge and Dickens dedicated his Christmas story, The Chimes, to the church.

• Garden Court and Fountain Court (pictured), Middle Temple. Garden Court is where Pip lived in Great Expectations and where Abel Magwitch turned up to reveal himself as Pip’s benefactor. Fountain Court features in Martin Chuzzlewit as the site for the romance of Ruth Pinch and John Westlock.

• Golden Square, Soho. Mentioned in Nicholas Nickleby – Nicholas’ uncle, Ralph Nickleby, was thought to live in a previous building at number seven.

There’s some great books about London sites which appear in Dickens’ books – among them are Ed Glinert’s Literary London: A Street by Street Exploration of the Capital’s Literary Heritage and Michael Paterson’s Inside Dickens’ London as well as Paul Kenneth Garner’s 
A Walk Through Charles Dickens’ London.

This well-to-do area in London’s north-west, just outside Regent’s Park, takes its name from the historic ownership of land here by the Order of St John of Jerusalem (also known as the Knights Hospitaller).

The land had previously been part of the Great Forest of Middlesex. The Order of St John of Jerusalem, which since 1140s had its English headquarters in a Clerkenwell priory where St John’s Gate stands (this now houses the Museum of the Order of St John – see our previous entry here), took over ownership of land in the early 1300s after the previous owners, the Knights Templar, fell into disgrace.

Following the Dissolution, it became Crown land and remained so until 1688 after which it passed into the hands of private families, notably the Eyre family who owned much of the area.

It remained relatively undeveloped until the early 19th century when, following the introduction of semi-detached villas on planned estates, it was marketed as a residential alternative for London’s middle classes, away from the smog and congestion of central London.

It became favored by the bohemian set and residents included creative types like artists and authors as well as scientists and traditional craftsmen (apparently in the late 19th century it was also known for its upmarket brothels).

Rebuilt with swanky apartment complexes in the early twentieth century, these days it remains a leafy enclave for the wealthy. Many of the houses which have survived are heritage listed.

Landmarks include St John’s Church (pictured above, this was consecrated in 1814) and the St John’s Wood Barracks and a Riding School (this was completed in 1825 and is the oldest building still on the site) which is now home to the King’s Troop Royal Horse Artillery which carries out mounted ceremonial artillery duties such as firing royal salutes for the State Opening of Parliament, royal birthdays and state visits.

St John’s Wood is also home to Abbey Road Studios (home of the Beatles and that famous zebra crossing), Lord’s Cricket Ground (officially the home of the Marylebone Cricket Club which was moved here in 1814, the same year the church was consecrated) and the Central London Mosque located on the edge of Regent’s Park.

For more on St John’s Wood, take a look at the website of The St John’s Wood Society.

We’ve looked at Charles’ Dickens childhood in London and some of his residences, workplaces and the pubs he attended. Before we take a look at some of the sites relevant to his writings, Exploring London takes a look at just a handful of the many other London sites associated with the famous Victorian author…

• Seven Dials and the former St Giles slum, Soho. An notorious slum of the 19th century, this area was among a number of “rookeries” or slums toured by Dickens in 1850 in the company of Inspector Field and police from Scotland Yard, and later helped to inform much of his writing. Seven Dials itself – located at the junction of Mercer and Earlham Streets and Upper St Martin’s Lane (pictured right is the monument at the junction’s centre) – has just undergone a renovation but much of the St Giles area is now irrevocably modernised. We’ll be mentioning another notorious slum located in Saffron Hill, Clerkenwell, in an upcoming week.

• Holland House, Kensington. Dickens became a friend of Lady Holland’s after attending one of her exclusive soirees at the age of 26. He was a guest at the house, now a youth hostel, in Holland Park on numerous occasions.

• Royalty House, Dean Street, Soho. The former site of the Royalty Theatre, known in Dickens’ day as Miss Kelly’s Theatre, it was here on 21st September, 1845, that Dickens and a group of friends performed Ben Jonson’s play, Every Man in his Humour (1598). Dickens acted as stage manager and director as well as playing the part of Captain Bobadil.

• Buckingham Palace. It was here in March 1870 – not long before his death – that Dickens had his only face-to-face meeting with Queen Victoria. She apparently found him to have a  ”large, loving mind and the strongest sympathy with the poorer classes”.

• Westminster Abbey. Our final stop for it was here that Dickens was buried on 14th June, 1870, following his death at his home near Rochester in Kent. Dickens had apparently wanted to be buried in Rochester but given his public profile, Westminster Abbey was seen as the only fitting place of rest for him (his wishes for a small, private funeral were, however, respected but thousands did visit the site in the days following). His grave sits in Poet’s Corner.

Ham House near Richmond in London’s south west is making a star appearance in the new Disney movie, John Carter. The 17th century mansion, located on the Thames, is doubling as a New York mansion on the Hudson River and the cast and crew spent six weeks filming there in January last year. The film is an adaptation of Edgar Rice Burroughs’ 1912 sci-fi comic-book John Carter of Mars, about a civil war veteran who is magically transported to a turbulent new life on the red planet. For more on Ham House, see www.nationaltrust.org.uk/ham-house/. PICTURE: ©2011 Disney.

• North London born poet John Hegley has been appointed poet-in-residence at Keats House in Hampstead for this summer. Hegley, whose poetry collections include Glad to Wear Glasses, The Sound of Paint Drying and My Dog is a Carrot, will host workshops and readings during his residency which takes place from 1st May to 31st October. He will also host the launch and closing event of the Keats House Festival, held at the house between 1st and 10th June, and present a series of meetings, entitled Sunday Tea with John (Keats), on the last Sunday of each month. These will include music and a 20 minute lecture about a particular aspect of Keats’ life. For more, see www.keatshouse.cityoflondon.gov.uk.

• Writers Jean Rhys and Elizabeth Bowen have been commemorated with English Heritage blue plaques. Caribbean-born Rhys (1890-1979) lived at Paultons House, Paultons Square, in Chelsea in the 1930s and it was while here that she developed her career as a novelist and penned Good Morning, Midnight (1939), now considered one of her finest works. Meanwhile the Anglo-Irish novelist Elizabeth Bowen (1899-1973) lived at 2 Clarence Terrace, Regents Park, for 17 years and during her time there wrote her two most celebrated works, The Death of the Heart (1938) and The Heat of the Day (1949). Last month blue plaques were unveiled commemorating the home of singer Elisabeth Welch (1904-2003) – described by her biographer as “Britain’s first black star” – at Ovington Court in Kensington and that of florist to royalty Constance Spry (1886 – 1960) on the site of her Mayfair shop at 64 South Audley Street. For more, see www.english-heritage.org.uk/discover/blue-plaques/.

Now on: Mapping the London Blitz. This exhibition at the London Metropolitan Archives in Clerkenwell centres on a series of bomb damage maps made during the dark days of World War II. Created by the London County Council, the 110 large maps used a color code to indicate the extent of damage in individual buildings and covered 117 square miles. Now in its last days – exhibition closes on 29th March. For more, see www.cityoflondon.gov.uk/lma.

This is the first in our new special series looking at 10 of the best of London’s small museums. We’re not including houses once lived in by famous people (that will be the subject of a later series), but rather those museums which contain some of the city’s most eclectic collections yet still tend to fly a little under the radar when it comes to the crowds…

First up, we take a look at the Museum of the Order of St John. The museum – which was reopened in late 2010 following a £3.7 million redevelopment – is located in St John’s Gate in Clerkenwell (pictured), the Tudor era gatehouse of the order’s once substantial London priory.

Told inside is the story of the order, from its founding in the 12th century as the Order of the Hospital of St John of Jerusalem with the aim of caring for sick pilgrims who had travelled to the Holy Land through to its later role as a military order and its Middle Ages moves – following the capture of Palestine by Muslim forces in 1291 – to Cyprus, then Rhodes, and eventually Malta, along with its current work through the charitable foundation of St John Ambulance.

Exhibits include weapons and armour, paintings and illuminated manuscripts (such as the Rhodes Missal of 1504), coins, furnishings, ceramics, silverware and textiles. There is also a 16th or 17th century bust of Jean de la Valette, Grand Master of the Knights Hospitaller from 1557 to 1568 and famed for leading the order to victory in the Great Siege of Malta in 1565 (he is remembered still in the name of the island nation’s capital, Valletta).

As well as the gatehouse (which, following the Dissolution, was used for various purposes including being the childhood home of 18th century artist William Hogarth and, at another time, housing a printing press used by famed lexicographer Dr Samuel Johnson), the museum’s assets also encompass the 12th century crypt under what was once the priory church (it’s located just to the north across Clerkenwell Road). It’s well worth a visit for the stunning 16th century tomb effigies alone.

WHERE: The Museum of the Order of St John, St John’s Gate, St John’s Lane, Clerkenwell (nearest Tube stations is Farringdon); WHEN: 10am to 5pm, Monday to Saturday (tours are held at 11am and 2.30pm on Tuesday, Friday and Saturday); COST: Free (a small donation for guided tours); WEBSITE: www.museumstjohn.org.uk.

Located just to the north of the City, the area of Clerkenwell takes its name from the Clerk’s Well which stands in Farringdon Lane.

The well was mentioned as far back as 1174 and was the scene of medieval mystery plays which were performed by the parish clerks of London. It was formerly located inside the wall of the 12th century St Mary’s Nunnery (located on the site of St James Parish Church) but is now found in the basement of a building named Well Court.

Islington Council record that a pump was installed at pavement level in 1800 to enable the public to use the well to draw water but this was closed by the mid 1800s and the exact site of the well lost to public knowledge. It was only in 1924 that the well was rediscovered during building work.

Alongside the nunnery, Clerkenwell was also home to the Priory of St John of Jerusalem, English headquarters of the crusader order known as the Knights Hospitallers. The Order of St John is still headquartered on the site of the former priory – the remains of the original priory include the Norman crypt under the rebuilt church and the priory’s main entrance, St John’s Gate, now home to a museum on the order. Also found in Clerkenwell is the Charterhouse, founded by Carthusian monks in 1370 and later a school (it’s these days home to a school of medicine and dentistry).

The area, centred on Clerkenwell Green (although apparently there hasn’t been a green here for several hundred years), become famous for its leisure-related institutions in the 1600s – these included spas, tea gardens and theatres (Sadler’s Wells Theatre still remains, albeit in a modern, dance-related form) – and gradually evolved into a more built-up residential area.

It was initially favored by the fashionable until the Industrial Revolution saw printing houses, breweries and distilleries, and clock and watchmakers move in. A survivor from the 18th century is the Middlesex Sessions House, built on Clerkenwell Green as a court around 1782 and now used by the Freemasons.

Industry declined in the area after World War II and Clerkenwell, which had also become a noted location for communists in the early 1900s (Lenin edited a paper here at one stage), was gradually transformed back into a residential area. Since the Eighties, Clerkenwell has again been going through a process of transformation – this time one of gentrification.

The well, located at 14-16 Farringdon Lane, can be visited – to arrange a visit, contact the Islington Local History Centre on 020 7527 7988 or email local.history@islington.gov.uk. For walks in Clerkenwell, see the Clerkenwell & Islington Guides Association  at www.clerkenwellwalks.org.uk.