LondonLife – The RHS Chelsea Flower Show…

Yes, it’s that time of the year again when Chelsea is all abloom! This year the flower show is marking the Queen’s Diamond Jubilee with a specially designed flower bed designed by the Parish of St Helier in Jersey, the centrepiece of which is a rotating Jersey Accession Issue Postal stamp (pictured above). During a visit to the Flower Show on Monday (pictured below, this took place prior to the public opening today), Queen Elizabeth II, patron of the show, awarded the first ever Diamond Jubilee Award for the Best Exhibit in the Great Pavilion to HM Hyde & Son for their display of lilies. Among the other ways in which the show is marking the Diamond Jubilee is the opening of an exhibition of photographs of the Queen’s past visits to the show. The flower show runs until Saturday (while tickets are sold out, you can check in person daily at the ticket office for returned tickets). For more, see www.rhs.org.uk/Shows-Events/RHS-Chelsea-Flower-Show/2012. PICTURES: Andy Paradise (courtesy of RHS).

Lost London – Vauxhall Pleasure Gardens

First laid out in the mid 17th century, Vauxhall Pleasure Gardens, on the east bank of the Thames just south of Lambeth, rose in fame to become one of London’s leading public entertainment venues.

The gardens, initially known as New Spring Gardens, are believed to have opened around the time of the Restoration of 1660 on a site which had been formerly an estate owned by vintners John and Jane Vaux (Jane was apparently widowed).

Initially apparently no more than an ale-house with a garden attached, the gardens grew to span several acres and featured a central hub and long avenues for strolling. Admission was initially free with money made from food and drink sold there. Among the earliest recorded visitors to the gardens was John Evelyn in 1661, describing it as a “pretty contrived plantation” and diarist Samuel Pepys, who wrote of a visit he made on 29th May, 1662 (he is known to have returned numerous times).

From 1729, the gardens came under ownership and management of John Tyers, entrepreneur, property developer and patron of the arts, and it was he who, until his death in 1767, oversaw the transformation of the area into an arts hotspot which included sculpture (in particular a fine statue of the composer Handel), music, painting and architecture. Thanks partly due to the patronage of Frederick, Prince of Wales, the gardens become the fashionable place to be seen.

The variety of entertainment on offer at the gardens – the name of which was only officially changed to Vauxhall Gardens in 1785 - grew substantially over the years: from concerts and fireworks displays to performances by tight rope walkers and lion tamers and even re-enactments of famous battles. The gardens became renowned as site for balloon ascents and, for its architecture – the number of buildings there grew over the years to include a rococo ‘Turkish tent’, Chinese pavilion, and, another rococo building, the Rotunda (where concerts could be held in wet weather). There was also a cascade and private ‘supper boxes’ for those who could afford them; those who couldn’t could dine at tables set under the trees.

From the outset, Vauxhall was known as a place where the sexes could mix freely and, therefore, for romantic assignations – in fact, one area of the gardens became known as the ‘Dark Walk’ for the fact it was, unlike other areas of the gardens, never illuminated by lamps and it was in this area, frequented by prostitutes, that many of the more illicit liaisons took place.

By the late 1700s and early 1800s, the gardens, one of a number of pleasure gardens in London, had reached the height of their popularity with reportedly more than 60,000 people said to have  attending a fancy dress party held one night in the late 1700s.

Those who attended events in the gardens included royalty as well as the likes of Samuel Johnson and James Boswell (see Thomas Rowlandson’s image above, Vauxhall Gardens, showing the likes of Johnson and Boswell, along with Georgina, Duchess of Devonshire, and the future King George IV, at the gardens in about 1779) as well as, much later, Charles Dickens (by the time Dickens visited, however, the heyday of the gardens was already well over).

The gardens closed in 1859 due apparently to declining popularity and were eventually replaced with housing. After being badly bombed in World War II, however, the site once again returned to being a garden, known as Spring Gardens. The gardens (pictured) still occupy the site not far from Vauxhall tube station – part of them is used by the Vauxhall City Farm as paddocks for horses and livestock and they also contain a multi-use games court.

For an authoritative and comprehensive work on the Vauxhall Gardens, try David Coke and Dr Alan Borg’s Vauxhall Gardens: A History. There’s also much more information on David Coke’s website here. There’s also a detailed history here.

David Coke is curating an exhibition at The Foundling Museum, The Triumph of Pleasure, which looks at the way in which the gardens and the establishment of the Foundling Hospital in 1739 “changed the face of British art forever”. Runs from 11th May to 9th September. For more, see www.foundlingmuseum.org.uk.

PICTURES: Wikipedia and David Adams

Around London – Europe’s oldest intact book at British Library; 100 days to the Games; world’s largest archaeological archive; the London Marathon; and, Turner at the National Gallery…

• The British Library has paid £9 million for a 7th century text, the St Cuthbert Gospel, which is also the oldest intact European book. The acquisition follows the library’s most successful fund-raising effort ever – it included a £4.5 million grant from the National Heritage Memorial Fund. The book – a Gospel of John bound in beautifully tooled red leather – was produced in north-east England in the late 7th century and was placed in the saint’s coffin after his death on the Isle of Lindisfarne in 698. It was retrieved when the coffin was opened at Durham Cathedral in 1104. The Gospel is on display in the Sir John Ritblat Treasures Gallery at the library in St Pancras and following a conservation review, it is anticipated it will soon be displayed with the pages open for the first time. There will be a public event celebrating the acquisition on 15th May. For more, see www.bl.uk/whatson/events/may12/index.html.

• London this week marked 100 days until the Opening Ceremony of the 2012 Olympic Games. This included unveiling the latest installation of the Olympic rings – made of 20,000 plants the 50 metre long rings are located in the Royal Botanic Gardens at Kew in the city’s west and can be seen from planes on the Heathrow flight path. The organising committee also announced the Red Arrows aerobatic display team will perform a nine-ship flypast in ‘big battle’ formation on the day of the Opening Ceremony (27th July) and stated that the games motto will be ‘Inspire a Generation’. For more, see www.london2012.com.

• The Museum of London’s archaeological archive – known as the London Archaeological Archive and Research Centre (LAARC) – is officially the largest in the world according to Guinness World Records. The archive contains more than five million artefacts and the records of almost 8,500 excavations dating back to 1830. Items in the archive include shoes dating back to Roman times, a 200-year-old set of false teeth, ‘witching bottles’ including one with human hair and toenails, and coffin plates from London’s cemeteries. The world record has been recorded as part of World Record London, a series of world record breaking events being held in the run-up to the Olympics. Others have included the Faberge Big Egg Hunt.

• Thousands of people are expected to take part in the Virgin London Marathon this Sunday. The 26.2 mile route starts in Blackheath, passes through Woolwich and Greenwich and crosses the Thames at Tower Bridge before looping around the east end of London, through Canary Wharf, and the west along The Highway (formerly known as The Ratcliffe Highway) and Embankment to Parliament Square, Birdcage Walk and finally to Buckingham Palace. The first London marathon was run in 1981. For more, see www.virginlondonmarathon.com.

• On Now: Turner Inspired – In the Light of Claude. The first major presentation of 17th century artist Claude Gellée’s influence on the English romantic artist J M W Turner, the exhibition focuses on Claude-inspired themes which run through Turner’s work including “the evocation of light and air in landscape, the effect of light upon water and his often radical reworking of contemporary scenes”. The display includes works from large scale oils on canvas through to leaves from Turner’s pocket sketchbooks. Interestingly, the exhibition also explores the story behind the so-called Turner Bequest – that on his death, Turner linked himself to Claude forever by leaving the National Gallery two pictures - Dido building Carthage (1815) and Sun rising through Vapour: Fishermen cleaning and selling Fish (before 1807) –  on condition that they were hung between two pictures by Claude, Seaport with the Embarkation of the Queen of Sheba (1648) and Landscape with the Marriage of Isaac and Rebecca (1648). Runs until 5th June. Admission charge applies. For more, see www.nationalgallery.org.uk.

LondonLife – The Queen visits the newly transformed Kensington Palace…

Queen Elizabeth II looks over gifts exchanged by Queen Victoria and Prince Albert in a display which forms part of the Victoria Revealed exhibition at Kensington Palace.

The Queen and Duke of Edinburgh visited palace last week to officially reopen the building following a £12 million, two year renovation project aimed at “transforming the visitor experience”.

The works have involved restoring the palace gardens – which will now be permanently open to the public free-of-charge – and reconnecting the palace with the surrounding parklands of Kensington Gardens partly through the provision of a new entrance. Landscape designer Todd Longstaffe-Gowan’s plan – which centres on a statue of Queen Victoria – features new lawns and avenues and a “maze-like path” inspired by 18th century “wilderness walks”.

There is also a new visitor reception area and “orientation hub” as well as a new courtyard terrace and cafe to complement The Orangery, shop and learning centre.

Victoria Revealed, a new permanent exhibition at the palace looks in intimate detail at the life of the Queen who once lived here and features everything from her black silk baby shoes to her wedding dress and the mourning clothing she wore following the death of Prince Albert as well as archive film footage showing the celebrations for the Diamond Jubilee of her reign in 1897.

The palace reopens on 26th March.

WHERE: The Broad Walk, Kensington Gardens, Kensington (nearest Tube stations are High Street Kensington or Queensway); WHEN: Daily 10am to 6pm (until 31st October); COST: £14.50 adult/£12 concession/children under 16 free (online booking discounts available, Historic Royal Palaces members free); WEBSITE: www.hrp.org.uk/KensingtonPalace.

PICTURES: Courtesy of Historic Royal Palaces/newsteam.co.uk

Around London – Chiswick House’s Camellia Festival; Picasso at the Tate; and, Mondrian at the Courtauld…

• The second annual Camellia Festival kicks off in  gardens surrounding the neo-Palladian property, Chiswick House,  in west London this weekend. The month long festival, run by the Chiswick House & Gardens Trust, was kicked off in 2011 with the aim of showcasing Chiswick’s world renowned Camellia Collection, believed to be the largest in the Western world. Following the success of last year’s festival following a £12.1 million garden restoration project, the flowers will once again be on display in the Conservatory (designed by Samuel Ware in 1813). Complementing the display of camellias will be a showcase of early spring flowers planted in the newly restored Italian Garden (originally created for the 6th Duke of Devonshire in 1814, it was, at the time, at the forefront of horticultural fashion). The Camellia Collection, meanwhile, includes rare and historically significant plants featuring pink, red, white and striped blooms, many of which are descended from the original planting in 1828. Among them is the Middlemist’s Red which was originally brought to Britain from China in 1804 by John Middlemist, a nurseryman from Shepherds Bush. It is one of only two in the world known to exist (the other is in Waitangi in New Zealand). The festival runs from the 18th February to the 18th March.  Admission charge applies. For more information, see www.chgt.org.uk. PICTURE:  The Middlemist’s Red Camellia at Chiswick House © Clare Kendall.

• On Now: Picasso and Modern British Art. This exhibition at Tate Britain explores the influence of Spanish artist Pablo Picasso on British art and the role this played in the acceptance of modern art in Britain as well as celebrating the connections Picasso made with Britain following his first London visit in 1919. It features more than 150 works including 60 by Picasso, among them Weeping Woman and The Three Dancers, as well as works by the likes of Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney. Runs until 15th July. Admission charge applies. For more information, see www.tate.org.uk

• On Now: Mondrian || Nicholson in Parallel. This show at the Courtauld Gallery tells the story of the extraordinary relationship between celebrated 20th century painter Piet Mondrian and Ben Nicholson, one of the UK’s greatest modern artists. The exhibition will follow the parallel artistic paths taken by the two artists in the 1930s and their subsequent creative relationship. Each of the works selected for the exhibition have a particular historical significance and the presentation also includes archival material such as photographs and letters. Admission charge applies. For more information, see www.courtauld.ac.uk.

10 curiously named churches of London – 9. St Michael Paternoster Royal

This triple-monikered church was first recorded in the 1200s. Far from unique in its dedication to the Archangel St Michael (there were apparently seven churches which were dedicated to him before the Great Fire), it was distinguished from the others by the name Paternoster Royal.

Surprisingly, the name has nothing to do with royalty or the clergy, at least not directly. The name Paternoster comes from the church’s location on what was Paternoster Lane (it’s now College Hill) – it was named for the number of paternoster or rosary seller that were based there.

The name Royal, meanwhile, is a little bit more obscure. First applied in the 1300s, it apparently comes from the close proximity of another street called Le Ryole which was itself a corruption of the French town of La Reole in the wine districts near Bordeaux. The street is believed to have been given the name thanks to the number of wine merchants who traded there.

Like other London churches, this one has been rebuilt several times – notably after the Great Fire of London (to the designs of Sir Christopher Wren) and again after World War II during which the church was all but destroyed by a V1 flying bomb. Since its reopening in 1968 it has served as the international headquarters of the Christian organisation, the Mission to Seafarers, which supports chaplains working in ports around the world.

The walls date from Wren’s time and the stone steeple, which wasn’t completed until 1717, is the work of Nicholas Hawksmoor. The interior features carved figures of Moses and Aaron which stand before the reredos – these apparently came from All-Hallows-the-Great (demolished in 1894) as did the chandelier which bears the words ‘Birmingham 1644′).

High profile parishioners over the years have included the four time Lord Mayor of London, Dick Whittington (see our earlier post on him) – he paid for a substantial extension of the church and founded a college of priests there (it’s from this college, which was dissolved in the mid-1500s and then re-established soon after, that College Hill is believed to have derived its name) as well as an almshouse next door.

Whittington and his wife were both buried inside but he was apparently exumed since several times and the location of his body is now unknown. There’s a stained glass window depicting Whittington and his famous cat inside and the gardens just outside also bear his name.

Around London – Illuminating manuscripts at the BL; Capability Brown and Richard Burton blue plaqued; and, Grayson Perry at the British Museum…

• Opened to the public last week, Royal Manuscripts: The Genius of Illumination - a landmark exhibition at the British Library – features a “treasure trove” of illuminated manuscripts collected by the kings and queens of England between the 9th and 16th century. Highlights include 16 illuminated manuscripts of King Edward IV, what the library calls the first “coherent collection” of royal books; the Psalter of King Henry VIII, A History of England by Matthew Paris, a 13th century monk, scholar and advisor to King Henry III; Thomas Hoccleve’s Regement of Princes – a early 15th century instruction book on how to be an effective ruler; a 14th century Genealogical Chronicle of the English Kings; and, The Shrewsbury Book, created in Rouen in 1445 and presented to Margaret of Anjou on her marriage to King Henry VI by the renowned military commander John Talbot, 1st Earl of Shrewsbury. An impressive series of public events featuring well known writers and historians – including Eamon Duffy, Michael Wood, and Andrew Marr –  is taking place alongside the exhibition. Runs until 13th March. An admission charge applies. For more, see www.bl.uk.

PICTURE: The Coronation of Henry III, Images of English Kings, from Edward the Confessor to Edward I, England, c. 1280-1300, Cotton Vitellius, A. xiii, f. 6 © British Library Board

• Leading 18th century landscape gardener Lancelot ‘Capability’ Brown has been honored with a blue plaque at his former home in Hampton Court Palace. Brown, who designed more than 120 landscapes during his lifetime, lived at Wilderness House after King George III appointed him Chief Gardener at the palace – he lived there from 1764 until his death in 1783. Brown’s legacy can still be seen at country houses around England – including at Petworth House in West Sussex, Alnwick Castle in Northumberland, Chatsworth House in Derbyshire and Blenheim Palace in Oxfordshire. He had earned the name ‘Capability’ by the 1760s – apparently he often spoke of a property’s capabilities when speaking of it. English Heritage unveiled the plaque last week. For more, see www.english-heritage.org.uk.

• A second blue plaque worth mentioning this week is that marking the former home of actor Richard Burton. Michael Sheen – currently playing Hamlet at the Young Vic – was among those who last week attended the unveiling on the plaque at the home Burton and his wife actress Sybil Williams lived in from 1949 to 1956, the period during which he rose to international fame. While living at the house 6 Lyndhurst Road in Hampstead, Burton was a member of the Old Vic theatre company – performing, to the acclaim of critics, roles including that of Hamlet, Othello, Coriolanus and Henry V – and in 1952 made his Hollywood debut with My Cousin Rachel. Other films he appeared in during the period include The Robe (1953), The Desert Rats (1953), and Alexander the Great (1956). Following the close of the Old Vic season in 1956, Burton moved to Switzerland and went on to even greater public fame following his role in the 1963 film Cleopatra alongside his then lover (and later wife) Elizabeth Taylor. For more, see www.english-heritage.org.uk.

• On Now: Grayson Perry – The Tomb of the Unknown Craftsman. This exhibition at the British Museum explores a range of themes connected with the ideas of craftsmanship and sacred journeys and includes 190 objects from the museum’s collection selected by the artist along with a works by Grayson himself, many of which will be on public view for the first time. They include everything from Polynesian fetishes to Buddhist votive offerings, a prehistoric hand axe to 20th century badges and a re-engraved coin from 1882 featuring a bust of Queen Victoria with a beard and boating hat. At the heart of the exhibition sits Grayson’s own work, The Tomb of the Unknown Craftsman, a richly decorated cast-iron “coffin-ship”. Runs until 19th February. An admission charge applies. For more, visit www.britishmuseum.org.

The Royal Parks – 8. Bushy Park

And so we come to the final entry in our special series on Royal Parks – Bushy Park (Royal Parks also look after Brompton Cemetery, but given it’s not strictly a park, we’ll deal with that in an upcoming post).

Lying off the beaten track near Hampton Court in south-west London, Bushy Park’s location means it’s perhaps the least glamourous of the Royal Parks we have looked at. Yet, like the other parks, its connection with royalty goes back a long way – in this case to the time of King Henry VIII.

The park was included as part of the Hampton Court estate given to the king by Cardinal Wolsey. Henry immediately transformed what had been farmland (complete with artifical medieval rabbit warrens, the remains of which can still be seen) into a deer chase and enclosed the park with a brick wall (a section of the original wall lies on the north side of Hampton Court Road).

The character of the park was altered again in 1610 when King Charles I ordered the creation of the Longford River, a 12 mile ornamental canal designed to bring water from the River Colne in Hertfordshire to the park’s water features.

Christopher Wren had a hand in the park’s design in 1699 when he designed Chestnut Avenue – a mile long formal roadway which runs through the centre of the park. He also added the round pond at its end and placed a fountain topped with a statue in its midst.

Known as the Diana Fountain after the Roman goddess of hunting, the statue (pictured above with Chestnut Avenue behind) actually represents one of Diana’s nymphs Arethusa. It was commissioned by King Charles I for his wife, Queen Henrietta Maria, and originally stood at Somerset House before Oliver Cromwell moved it to the Privy Garden at Hampton Court and Wren then moved it to its current location.

The 17th and 18th century also saw the appearance of houses at the park to be used as hunting lodges (and the ranger’s home), and gardens were added.

Worth noting here is the story of shoemaker Timothy Bennet. A resident of nearby Hampton Wick, in 1752, when an old man, he successfully fought to ensure a public right-of-way through the park after the then ranger, Lord Halifax, ordered it closed to the public. There’s a monument to him outside Hampton Wick Gate and a walking path which runs across the park at perpendicular to Chestnut Avenue is still known as Cobbler’s Walk.

More gardens were added in the 20th century including the Waterhouse and Pheasantry Plantations. Other areas include the tranquil Woodland Gardens and the Water Gardens which are comprised of a Baroque-style collection of pools, cascades, basins and the canal. There are also a series of ponds – including a pond for model boats – to the east of Chestnut Avenue.

The park saw service in both World Wars. During the first, Canadian troops were stationed there (there’s a totem pole in the Woodland Garden marking this) and other areas within the park were used for growing produce as part of the “Dig for Victory” campaign.

During the second, it was used again for food production and in 1942 became a US base and later Supreme Headquarters Allied Expeditionary Forces – the location where General Dwight Eisenhower planned Operation Overland, the reinvasion of Europe which kicked off with the D-Day landings. There are memorials concerning this connection in the park’s north-east corner.

Facilities today include the Pheasantry Welcome Centre, which opened in 2009, and includes a cafe, toilets and information. There are also sporting facilities, a small cafe near the carpark and a children’s playground.

WHERE: The park lies north of Hampton Court Palace, just west of Kingston and Hampton Wick and south of Teddington (nearest train station is Hampton Wick or Hampton Court). WHEN: 24 hours except in September and November when it’s open between 8am and 10.30pm; COST: Free; WEBSITE: www.royalparks.gov.uk/Bushy-Park.aspx

The Royal Parks – 5. The Regent’s Park

A former hunting chase, The Regent’s Park in London’s north-west was extensively developed in the 19th century and remains a good – if not complete – example of a Regency landscape.

As with many of London’s Royal Parks, Regent’s Park (it’s formal name is actually The Regent’s Park but we’ll shorten it for our purposes here) once served as King Henry VIII’s hunting grounds – he seized the park, then known as Marylebone Park Fields after the nearby village and boasting thick woods as well as more open forests, from the Abbey of Barking in 1538.

Used by royalty for the next 50 years, it remained largely unaltered until after the Civil War when, between 1649 and 1660, the Commonwealth ordered many of the trees to be chopped down to pay debts. It was restored to royal ownership with the restoration of the monarchy but, with hunting falling out of fashion, was then leased out to tenant farmers.

It was John Nash who created the park that we know and love today. Friend of the Prince Regent (later King George IV), he was among a number of architects who responded to the Prince Regent’s calls for the creation of a new design featuring a palace for himself.

Nash’s original designs included a round park featuring a lake and canal and surrounded by as many as 56 villas and a palatial summer home for the Prince Regent which would be linked to his other home at St James’s by a processional road.

But only eight of the villas were ever built and only two of them – St John’s Lodge and The Holme – remain (both are private residences but part of the lodge’s gardens are open to the public) while the plans for the Prince Regent’s palace were put on hold when he turned his attention to developing Buckingham Palace instead. The canal, meanwhile, was moved to the park’s northern boundary where it still stands today (see our earlier entry on Regent’s Canal) while the processional route Nash had proposed became Regent Street.

While the park was initially only for the exclusive use of residents and what Royal Park’s call the ‘carriage set’, in 1835, the eastern part of the park was opened to the public for two days a week. Other sections of what is now included in the park, including Primrose Hill, were opened later.

Meanwhile, the fact most of the villas had never been built had left a large amount of free space and so both the Zoological Society and the Royal Botanic Society moved in – the latter laying out what is the Inner Circle with lawns and a lake of its own. Another society to operate in the park was the Royal Toxophilite Society which introduced archery there.

Not much has changed since but for the creation of Queen Mary’s Gardens in the 1930s – these were laid out on the space formally occupied by the Royal Botanic Society which had decided not to renew its lease. The Open Air Theatre performances, which are still held in the gardens today, started at about the same time. The park was damaged by bombing during World War II but has been fully restored.

Other facilities now in the 166 hectare (410 acre) park include a sports facility known as The Hub as well as several cafes, tennis courts and boat hire. The London Zoo, of course, also remains there.

WHERE: The Regent’s Park (nearest tube station is Regent’s Park); WHEN: 5am to at least 4pm (closing times vary depending on the month); COST: Free entry; WEBSITE: www.royalparks.gov.uk/The-Regents-Park.aspx

LondonLife – A last chance to experience Australia at the British Museum…

An Australian landscape constructed in the forecourt of the British Museum as part of the museum’s Australian Season. The landscape takes the intrepid on a journey across the vast Australian continent through the arid red desert of the red centre to the granite outcrops of the country’s west coast. The plants include iconic Australian flora such as the kangaroo paw, wattle, coast banksia, gums and ferns as well as a Wollemi pine. The landscape is the fourth created in the museum’s forecourt under a partnership with the Royal Botanic Gardens, Kew. But time is running out to see it – the garden will disappear on 16th October. Other events held at the museum as part of Australian Season have included an exhibition of Australian artworks and handcrafted baskets. Admission to the garden is free. For more, visit www.britishmuseum.org.