• Leicester Square officially reopened last night following a £15.3 million transformation which has seen every paving stone replaced, new plants, and 40 new water jets placed around the Grade II listed fountain and statue of William Shakespeare. The 17 month makeover also included new lighting, new seating and a refurb of the underground toilets. The square – which owes its name to Robert Sidney, the 2nd Earl of Leicester, who purchased this land in 1630 and, after building himself a mansion, kept aside part of the land for public use – now welcomes as many as 250,000 tourists a day and is known as one of the world’s premiere sites for the release of new films.
• The Royal Academy of Arts is marking the Queen’s Diamond Jubilee with a new exhibition opening tomorrow which features a selection of paintings by Royal Academicians elected during the early part of the Queen’s reign. The Queen’s Artists will include works by Jean Cooke, Frederick Gore and Ruskin Spear and will be displayed in the Reynolds and Council Rooms. Meanwhile The Saloon will house a collection of sculptures, paintings and drawings prepared by Royal Academicians for British coins and royal seals on loan from the Royal Mint Museum. The collection includes portraits of the Queen by Edward Bawden and Sir Charles Wheeler which have never before been shown in public, and Sir Anthony Caro’s new coin design of the London 2012 Olympic Games. Over in the Tennant Gallery, The King’s Artist’s George III’s Academy, will look at the king’s role in the foundation of the academy in 1768 and his influence in selecting the first artists. Highlights include portraits of King George III (pictured) and Queen Charlotte painted by the academy’s first president, Sir Joshua Reynolds. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Copyright Royal Academy of Arts, London/John Hammond.
• A new exhibition focusing on Londoners and their treasured souvenirs commemorating Queen Elizabeth II opens tomorrow at the Museum of London. At Home with the Queen features 12 photographic portraits of Londoners at home with their mementos as well as a selection of royal commemorative objects from the museum’s collection. The latter include trinkets produced for Queen Victoria’s Diamond Jubilee in 1897, official Coronation Day street decorations, Silver Jubilee paper tableware and souvenirs relating to the current Diamond Jubilee. Runs until 28th October. Admission is free. For more (including a series of events running on conjunction with the exhibition), see www.museumoflondon.org.uk.
• The Royal Parks’ Shire horse, Jed, retired last week after a decade of service working in Richmond Park. The Queen presented a commemorative retirement rosette to Jed who was born in 1993 and joined the Royal Parks from Bass Brewery in Burton upon Trent almost 10 years ago. Horses have been used in Richmond Park since it was enclosed by King Charles I in 1637. The horses took a break in 1954 but the Shires were reintroduced in 1993 as a way to sustainably manage the parkland. For more on Richmond Park, see www.royalparks.org.uk/parks/richmond-park.
• On Now: The horse: from Arabia to Royal Ascot. This major free exhibition at the British Museum is part of the august institution’s Diamond Jubilee celebrations and traces the history of the horse from domestication around 3,500 BC through to present day, with a particular focus on Britain’s equestrian tradition, from the introduction of the Arabian breed in the 18th century to events like Royal Ascot. Highlights include one of the earliest known depictions of horse and rider – a terracotta mould found in Mesopotamia dating from around 2000 to 1800 BC, a cylinder seal of Darius dating from 522 to 486 BC depicting the king hunting lions in a chariot, a 14th century Furusiyya manuscript, an Arabian manual of horsemanship, and the 19th century Abbas Pasha manuscript, the primary source of information about the lineage of purebred Arabian horses acquired by Abbas Pasha (mid-nineteenth century viceroy of Egypt). The exhibition is being held in Room 35. Runs until 30th September. For more, see www.britishmuseum.org.
For many Londoners, an opportunity to see the Queen means heading to Buckingham Palace to watch her wave from the balcony – or standing in the Mall to watch as her carriage goes by.
Given that, we thought we’d take the time to have a quick look at the history of The Mall, an important player in events like the annual Trooping the Colour.
This one kilometre long grand processional route which links Trafalgar Square to Buckingham Palace, was originally cut through St James’s Park in 1660 when King Charles II was looking for a new paille-maille pitch (see our earlier entry on Pall Mall for more on this). Two long avenues of trees were planted on either side, giving it a leafy feel that’s still in evidence today.
The Mall had become notorious by the 18th century and was spruced up in 1911 under the eye of Sir Aston Webb (who also designed other elements in the area including a new facade for Buckingham Palace, the Queen Victoria Memorial in front of the palace, and Admiralty Arch at the western end of the route) to become the grand avenue, complete with red-carpet like surface (this was done later), that it is today.
It is bordered by St James’s Park on the south side and on the north side is overlooked by various grand buildings – including Clarence House and the Institute of Contemporary Arts – as well as, toward the western end, Green Park.
These days the Queen publicly processes down The Mall for a number of events throughout the year – among them are the State Opening of Parliament (held earlier this month) as well as military ceremonies like Trooping the Colour and events like last year’s Royal Wedding when is it said that more than a million people were said to have filled the broad street.
The Mall is also the route along which Heads of State process in a horse drawn carriage during official visits (the road is then decorated with Union Jacks and flags of the visitor’s country). During the Olympics, it will be the start and end location of the marathons and cycling road races.
Apart from the Queen Victoria Memorial at the eastern end of The Mall, statues and monuments lining the road include the Queen Mother Memorial, a statue of explorer Captain James Cook, and a recently installed statue of cosmonaut, Yuri Gagarin.
There are apparently a series of tunnels underneath with link Buckingham Palace with Whitehall.
We should also briefly mention Horseguards, which is at The Mall’s eastern end and where Trooping the Colour and Beating Retreat takes place. This was formerly the site of a tiltyard of the Palace of Whitehall and jousting tournaments were held here during the time of King Henry VIII. It has been used for parades and ceremonies since the 17th century. While cars were parked here for much of the 20th century, this practice was stopped in the mid-1990s.
Daytripper – Windsor Castle…
May 18, 2012
Given we’re marking the Queen’s Diamond Jubilee with a look at sites of significance to her story located in London, it’s perhaps only fitting that we take a look at the nearest royal residence outside the city.
Windsor, located as close as half an hour by train from London’s Paddington station (or around 50 minutes to an hour from Waterloo), boasts plenty to see including the historic town centre, nearby Eton, great river and country walks and, of course, Legoland. But today our attention will remain on Windsor Castle, the oldest and largest inhabited castle in the world.
There has been a fortress on this site since shortly after the Norman invasion when in about 1080 King William the Conqueror ordered it constructed on a ridge above the river bank as part of a series of defensive fortifications around London. The earth and timber Norman castle was gradually added to over the years – King Henry I (reigned 1100-1135), the first king to live here, added domestic quarters while King Henry II (reigned 1154-1189) built substantial royal apartments transforming the castle into a palace and began replacing the outer timber walls with stone fortifications as well as rebuilding the Norman Keep as the Round Tower (parts of which still date from this period). King Henry III (reigned 1216-1272) built upon and expanded his work.
But it was in the reign of King Edward III (1307-1327) that the castle was expanded enormously. This included the reconstruction of the lower ward including the rebuilding of the chapel, naming it St George’s (although the current chapel dates from the reign of King Edward IV – 1461-1470), and the reconstruction of the upper ward complete with apartments for him and his wife, Queen Phillipa, arranged around courtyards (although some of the work wasn’t completed until the reign of his successor, King Richard II – 1377-1399). It was also during King Edward III’s reign that the castle became the base for the Order of the Garter (which he created in 1348), a role it still fulfills.
Other works were ordered by successive Tudor monarchs including King Henry VIII, Queen Elizabeth I, and Queen Mary I. Parliamentary forces seized the castle during the Civil War (Oliver Cromwell did use it as his headquarters for a time) and Royalists were imprisoned here (King Charles I was in fact buried in a vault beneath St George’s Chapel after his execution having been previously imprisoned here).
The next major additions came in the reign of King Charles II (1660-1685) when the Upper Ward and State Apartments were reconstructed in baroque splendor, the latter complete with splendid murals ceiling paintings by Italian artist Antonio Verro (the murals were later destroyed but some of the ceiling paintings survive).
From the time of King William III (1689-1702), monarchs began spending more time at Hampton Court Palace but the focus returned to Windsor with King George III. He ordered a range of improvements and updates including modernising Frogmore House in the Home Park for his wife Queen Caroline (the property was subsequently used by various royals but no-one currently lives there), but many of these were stopped prematurely due to his illness. His son, King George IV, picked up where his father left off.
In the reign of Queen Victoria, Windsor became the royal family’s principal residence and was visited by heads of state including King Louis Philippe in 1844 and Emperor Napoleon III in 1855. The Queen’s husband, Prince Albert, died here on 14th December, 1861.
King Edward VII (1901-1910) and King George V (1910-1936) both had a hand in redecorating the palace and the Queen’s father, King George VI (1936-1952), was living in the Royal Lodge in Windsor Great Park when he succeeded to the throne.
In more recent times, the castle was the home to the Queen, then Princess Elizabeth and her sister Princess Margaret, for much of World War II. The castle suffered its greatest setback in recent times in 1992 when a serious fire broke out in the Queen’s Private Chapel which destroyed several rooms including the ceiling of St George’s Hall which dated from the reign of King George IV. Restoration works took five years to complete.
Today the Queen spends many private weekends at the castle while the court is officially in residence here for a month over the Easter period and during Ascot Week in June – it’s at this time that the Garter Day celebrations take place with the installation of new knights.
The Queen also hosts State Visits here with banquets held in St George’s Hall as well as what are known as a ‘sleep and dine’ in which high profile figures are invited to dinner with the Queen before being shown a special display of items from the Royal Library and then spending the night. The Royal Standard flies from the Round Tower when the Queen is in residence.
As well as touring the State Apartments, the Gallery, Queen Mary’s Dolls’ House (completed in the 1920s for Queen Mary, wife of King George V), and St George’s Chapel, visitors to the castle can experience the Changing of the Guard at 11am every day but Sundays between May and early August (and every second day after that).
WHERE: Windsor (a short walk from either Windsor Central Station or Windsor & Eton Riverside Station); WHEN: 9.45am to 5.15pm until 27th July (times vary after this date – check the website); COST: £17 an adult/£10.20 a child (under 17s – under fives free)/£15.50 concession/£44.75 family (price includes an audio tour); WEBSITE: www.royalcollection.org.uk/visit/windsorcastle.
• Celebrate the Diamond Jubilee next Tuesday in Richmond Park as it hosts ‘Wild London’, the borough’s “first festival aimed at celebrating London’s woodlands, parks and gardens”. The event, which is being put on by Richmond Council and Royal Parks, will mark the Queen’s first visit to the borough in 23 years. It will showcase the conservational, recreational and inspirational role that parks and gardens play in London and will include hands-on exhibits, demonstrations, displays and performances. The event will be the first in a series celebrating the Diamond Jubilee held in Royal Parks. For more information, see www.richmond.gov.uk/home/leisure_and_culture/diamond_jubilee.htm
• The National Trust has launched a new photography competition aimed at celebrating green spaces and the life of the Trust founder Octavia Hill. The competition, called Your Space, is running in conjunction with National Trust Magazine and is open for entries until August. The competition was launched by internationally acclaimed photographers - Mary McCartney, Joe Cornish, Arnhel de Serra and Charlie Waite – with a new collection of pictures at National Trust places. One of the three Trust founder, Octavia Hill was a leading environmental campaigner in the Victorian Age and campaigned to save places in and around London like Parliament Hill. Entries in the competition, which aims to capture images of everyday green spaces, could include pictures from the local park or countryside. For details on how to enter, follow this link…
• The author of the Harry Potter books, JK Rowling, received the Freedom of the City of London this week. The books have sold an estimated 450 million copies worldwide and have been made into films. The Freedom ceremony took place at Mansion House, the official residence of the Lord Mayor of London. Speaking before the ceremony on Tuesday, Rowling was quoted as saying that both her parents were Londoners. “They met on a train departing from King’s Cross Station in 1964, and while neither of them ever lived in London again, both their daughters headed straight for the capital the moment that they were independent. To me, London is packed with personal memories, but it has never lost the aura of excitement and mystery that it had during trips to see family as a child. I am prouder than I can say to be given the Freedom of the City, which, on top of all the known benefits (and few people realize this), entitles me to a free pint in The Leaky Cauldron and a ten Galleon voucher to spend in Diagon Alley.” For more, see www.cityoflondon.gov.uk.
• On Now: Royal Devotion. This exhibition in the Great Hall of Lambeth Palace is being held to mark both the Diamond Jubilee of Queen Elizabeth II and the 350th anniversary of the revised Book of Common Prayer. The display charts the relationship between Crown and Church and its embodiment in the history of the Book of Common Prayer, one of the most important books in the English language. As well as the 1662 revision of the Book of Common Prayer, highlights include a 1549 printing of the Book of Common Prayer, medieval illuminated manuscripts, including the Book of Hours of King Richard III, Queen Elizabeth I’s personal prayer book and a copy of the book of private devotions compiled for Queen Elizabeth II in preparation for her coronation, the Book of Common Prayer used at the wedding of Queen Victoria, and King Charles I’s own handwritten revision of State Prayers. Admission fee applies. Runs until 14th July. For more, see www.lambethpalacelibrary.org/
Westminster Abbey has played a key role in the life of Queen Elizabeth II – it was here on 20th November, 1947, that she was married to Prince Philip (then Lieutenant Philip Mountbatten) and it was here on 2nd June, 1953, that she was crowned Queen Elizabeth II.
First to the wedding. Princess Elizabeth was only the 10th royal to be married in the Abbey (her predecessors included her parents who married here on 26th April, 1923). The ceremony started at 11.30am and the princess, who wore a white dress designed by Norman Hartnell, entered to a specially composed fanfare accompanied by eight bridesmaids and two pages.
Due to post war austerity measures, only about 2,000 people attended the wedding (we’ve previously mentioned that the princess had to save coupons for her wedding dress like any other bride). On the day, the grave of the Unknown Warrior was the only stone that was not covered by the special carpet and the day after the wedding, the now married Princess Elizabeth followed a royal tradition started by her mother, Queen Elizabeth, which involved sending her wedding bouquet back to the Abbey to be laid on the grave.
It was about five-and-a-half years after her wedding that the princess returned to the Abbey to be crowned a queen.
Then Princess Elizabeth was in Kenya (on her way to Australia) when news reached her on 6th February that year of the death of her father, King George VI. After Prince Philip broke the news to her, the new queen chose Elizabeth as her “regnal name”, and the couple returned to England.
Queen Elizabeth II’s grandmother, Queen Mary, died on 24th March, but it was decided to proceed with the coronation anyway (Queen Mary had apparently asked that the coronation not be delayed by her death).
The coronation, the 38th to be conducted in the Abbey, was the first to be televised (with the exception of the anointing and communion) and was “instrumental” in helping to popularise it in the UK and elsewhere.
The building was closed for five months so preparations could be made for the more than 8,000 wedding guests. The Queen’s coronation dress, meanwhile, was made by Norman Hartnell (as had been her wedding dress) and was made of white satin embroidered with emblems of the United Kingdom and the Commonwealth.
Having arrived from Buckingham Palace in the Gold State Coach, the Queen entered the Abbey at 11.20am and, having been invested with the Regalia while seated in the Coronation Chair, was crowned with St Edward’s Crown at 12.34pm. She left the Abbey at 2.53pm and rode through the streets of London back to the palace.
Of course, the Queen has since attended many other events at the Abbey – including thanksgiving services for their golden and silver wedding anniversaries and last year’s Royal Wedding – since her coronation which we don’t have space to talk about here. But it is worth noting before signing off that the Abbey continues to have a special relationship to her - it is a “Royal Peculiar” meaning it is exempt from any ecclesiastical jurisdiction but that of the Sovereign.
WHERE: Westminster Abbey, Westminster (nearest Tube station is Westminster or St James’s Park); WHEN: Open to tourists everyday except Sunday (times vary so check the website); COST: £16 an adult/£13 concessions/£6 schoolchildren (11-18 years), free for children aged under 11/£38 for a family (two adults, two children); WEBSITE: www.westminster-abbey.org
Lost London – Vauxhall Pleasure Gardens
May 4, 2012
First laid out in the mid 17th century, Vauxhall Pleasure Gardens, on the east bank of the Thames just south of Lambeth, rose in fame to become one of London’s leading public entertainment venues.
T
he gardens, initially known as New Spring Gardens, are believed to have opened around the time of the Restoration of 1660 on a site which had been formerly an estate owned by vintners John and Jane Vaux (Jane was apparently widowed).
Initially apparently no more than an ale-house with a garden attached, the gardens grew to span several acres and featured a central hub and long avenues for strolling. Admission was initially free with money made from food and drink sold there. Among the earliest recorded visitors to the gardens was John Evelyn in 1661, describing it as a “pretty contrived plantation” and diarist Samuel Pepys, who wrote of a visit he made on 29th May, 1662 (he is known to have returned numerous times).
From 1729, the gardens came under ownership and management of John Tyers, entrepreneur, property developer and patron of the arts, and it was he who, until his death in 1767, oversaw the transformation of the area into an arts hotspot which included sculpture (in particular a fine statue of the composer Handel), music, painting and architecture. Thanks partly due to the patronage of Frederick, Prince of Wales, the gardens become the fashionable place to be seen.
The variety of entertainment on offer at the gardens – the name of which was only officially changed to Vauxhall Gardens in 1785 - grew substantially over the years: from concerts and fireworks displays to performances by tight rope walkers and lion tamers and even re-enactments of famous battles. The gardens became renowned as site for balloon ascents and, for its architecture – the number of buildings there grew over the years to include a rococo ‘Turkish tent’, Chinese pavilion, and, another rococo building, the Rotunda (where concerts could be held in wet weather). There was also a cascade and private ‘supper boxes’ for those who could afford them; those who couldn’t could dine at tables set under the trees.
From the outset, Vauxhall was known as a place where the sexes could mix freely and, therefore, for romantic assignations – in fact, one area of the gardens became known as the ‘Dark Walk’ for the fact it was, unlike other areas of the gardens, never illuminated by lamps and it was in this area, frequented by prostitutes, that many of the more illicit liaisons took place.
By the late 1700s and early 1800s, the gardens, one of a number of pleasure gardens in London, had reached the height of their popularity with reportedly more than 60,000 people said to have attending a fancy dress party held one night in the late 1700s.
Those who attended events in the gardens included royalty as well as the likes of Samuel Johnson and James Boswell (see Thomas Rowlandson’s image above, Vauxhall Gardens, showing the likes of Johnson and Boswell, along with Georgina, Duchess of Devonshire, and the future King George IV, at the gardens in about 1779) as well as, much later, Charles Dickens (by the time Dickens visited, however, the heyday of the gardens was already well over).
The gardens closed in 1859 due apparently to declining popularity and were eventually replaced with housing. After being badly bombed in World War II, however, the site once again returned to being a garden, known as Spring Gardens. The gardens (pictured) still occupy the site not far from Vauxhall tube station – part of them is used by the Vauxhall City Farm as paddocks for horses and livestock and they also contain a multi-use games court.
For an authoritative and comprehensive work on the Vauxhall Gardens, try David Coke and Dr Alan Borg’s Vauxhall Gardens: A History. There’s also much more information on David Coke’s website here. There’s also a detailed history here.
David Coke is curating an exhibition at The Foundling Museum, The Triumph of Pleasure, which looks at the way in which the gardens and the establishment of the Foundling Hospital in 1739 “changed the face of British art forever”. Runs from 11th May to 9th September. For more, see www.foundlingmuseum.org.uk.
PICTURES: Wikipedia and David Adams
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• A major collection of photographs of London, including works by Henri Cartier-Bresson, Robert Frank and Irving Penn, has been promised to the Tate Gallery. The collection, which will more than double the Tate’s photographic holdings, was assembled by Eric and Louise Franck over a 20 year period. It comprises around 1,400 photographs taken by 120 photographers between the 1880s and 2000s and is a record of the lives of people living in London. Highlights include Henri Cartier-Bresson’s work, Waiting in Trafalgar Square for the Coronation Parade of King George VI (1937), Bruce Davidson’s Girl with Kitten (1962), Elliot Erwitt’s Bus Stop, London (1962), Robert Frank’s London (Child Running from Hearse) (1951) and Irving Penn’s Charwomen, London (1950). More than two-thirds of the collection is being donated to the Tate Gallery, carrying an estimated value of more than £1 million, while the remaining works will be purchased. A selection from the collection will be exhibited in Another London, opening at the Tate Britain on 27th July. For more, see www.tate.org.uk.
• An Afghan schoolbook which uses bullets and Kalashnikovs as counting tools, Operational Service Medals and charm bracelets have been added to the National Army Museum’s Conflicts of Interest gallery. The gallery explores over 40 conflicts in which the British Army has been involved including that in Afghanistan. The illustrated childrens’ textbook dates from the time of the Soviet War in Afghanistan in the 1980s and was found by Captain Daniel Hinxman in 2007. Other artefacts added to the gallery include an Operational Service Medal for Afghanistan awarded to Sapper Dewi Allen for service in 2009-10, a memorial writsband produced by the family of Corporal David Barnsdale after he was killed in an IED attack in 2010 and a ‘lucky charm’ bracelet made by an Afghan for Lance Corporal Jose Cravalho De Matos. For more, see www.nam.ac.uk.
• On Now: Picasso Prints: The Vollard Suite. The British Museum is hosting this exhibition featuring Pablo Picasso’s most celebrated series of etchings, The Vollard Suite – the first time a complete set of the etchings has been shown in a British public institution. The suite consists of 100 etchings produced between 1930 and 1937, at a time when Picasso was involved in an affair with his nurse and muse Marie-Therese Walter. The predominant them of the suite is that of the sculptors studio – the artist was at this stage making sculpture at his new home outside Paris. The etchings, which have no titles and were not assigned an order, will be displayed alongside examples of the type of classical sculpture and objects which inspired the artist as well as Rembrandt etchings, Goya prints and Ingres drawings which also influenced Picasso’s works. The exhibition is being held in Room 90 and runs until 2nd September. Entry is free. For more, see www.britishmuseum.org.
• On Now: Johan Zoffany RA: Society Observed. This exhibition at the Royal Academy of Arts re-evalutes the life and career of the Frankfurt-born artist Zoffany, who moved to London in 1760 where he created portraits and subject pictures which attracted the patronage of the likes of actor David Garrick and courtiers of King George III. The exhibition, arranged into eight sections, features more than 60 oil paintings and a selection of drawings and prints taken from British and international collections, both public and private, with many of the items never before exhibited. Runs until 10th June. Admission charge applies. For more, see www.royalacademy.org.uk.
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Celebrating the Diamond Jubilee with 10 royal London locations – 3. Married life at Clarence House…
May 2, 2012
Princess Elizabeth and Prince Philip were married at Westminster Abbey, a highly significant property in the Queen’s story which we’ll be looking at in more depth shortly, on 20th November, 1947 (and, as did other brides in post-war Britain, the princess had to collect coupons for her wedding dress).
Following their honeymoon at Broadland – the home of Lord Mountbatten in Hampshire and at Birkhall, Balmoral, in Scotland, in 1949, they and their baby son, Charles, moved into Clarence House, their home for the next three years.
The house, which still featured Victorian decor, was refurbished although post-war austerity ensured the decor and furnishings – many of which were wedding presents – remained simple. The house still contains a Georgian dining table and 20 ladder-back chairs which were the gift of the Royal Warrant Holders Association and a mahogany sideboard and four side tables which were a present from Queen Mary, the Queen’s grandmother.
Princess Anne, second child of the Queen and Prince Philip, was born in the house in 1950.
Clarence House was originally built between 1825 and 1827 to the designs of John Nash (he also designed Buckingham Palace) and was designed as the home of George III’s third son, Prince William Henry, Duke of Clarence and his wife Adelaide, and incorporated some of the Tudor buildings of St James’ Palace.
Indeed, Prince William Henry liked the house so much that on succeeding to the throne as King William IV in 1830, he decided not to move to Buckingham Palace and instead remained at Clarence House.
Later occupants have included Queen Victoria’s mother, the Duchess of Kent, and two of her sons, Prince Alfred, Duke of Edinburgh, and Prince Arthur, Duke of Connaught as well as Queen Elizabeth, the Queen Mother, who moved in after the property was vacated by Queen Elizabeth II and remained living at the house until her death in 2002.
Today Clarence House is the official London residence of Prince Charles, Prince of Wales, and his wife Camilla, the Duchess of Cornwall, as well as Prince Harry.
Clarence House is usually open for tours during summer but will not be opening this summer due to the Paralympic and Olympic Games blocking the entrance from The Mall. For details on the 2013 opening, see www.royalcollection.org.uk/visit/clarencehouse.
PICTURE: ChrisO, Wikipedia
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Canaletto’s image of Greenwich Hospital from the north bank of the Thames (1750-52) is among almost 400 paintings, manuscripts and objects selected to be part of the National Maritime Museum’s new exhibition, Royal River: Power, Pageantry & The Thames.
Curated by historian David Starkey, the exhibition, part of the Diamond Jubilee celebrations, focuses on the use of the river across five centuries covering events including Anne Boleyn’s coronation procession and Admiral Lord Nelson’s stately funeral through to the evolving Lord Mayor’s pageant and the ‘Great Stink’ of the mid-1800s.
Highlights include the oldest known copy of Handel’s Water Music, the sixteenth century Pearl Sword (which the monarch must touch on entering the City of London), a stuffed swan, treasures from the City’s livery companies, and another Canaletto work – this time his famous view of the river filled with boats getting ready for the Lord Mayor’s Day, seen as an inspiration for this year’s Diamond Jubilee Pageant and on show in the UK for the first time since its completion.
As well as celebrating the Diamond Jubilee, the exhibition also marks the 75th anniversary of the opening of the National Maritime Museum by King George VI on 27th April, 1937. The king’s speech from that day and his Admiral of the Fleet uniform also feature in the exhibition.
WHERE: National Maritime Museum Greenwich (nearest DLR station is Cutty Sark); WHEN: Daily 10am to 5pm (opening times may vary during the Paralympic and Olympic Games) until 9th September; COST: £11 adult/£9 concession/family ticket £24.50; WEBSITE: www.rmg.co.uk.
PICTURE: © National Maritime Museum, London
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Treasures of London – Marble Arch…
April 27, 2012
Originally installed as a grand entrance to Buckingham Palace, John Nash’s arch was moved to its current location, what is now effectively a traffic island not far from Speaker’s Corner in nearby Hyde Park, in 1851.
The story goes that this took place after it was discovered that the arch was too narrow for the widest of the new-fangled coaches but there are some doubts over this, particularly as the gold state coach passed under it during Queen Elizabeth II’s coronation in 1952. Another story says that it was moved after extensions to Buckingham Palace left insufficient space for it.
Work on the arch had started at Buckingham Palace in the mid 1820s and it was completed by 1833. It was originally moved to replace Cumberland Gate as the new entrance to Hyde Park and to complement Decimus Burton’s arch at Hyde Park Corner. Successive roadworks in the 20th century, however, left it in its current position.
Clad in Carrara marble, the design of the arch was inspired by Rome’s Arch of Constantine and the Arc do Carrousel in Paris. The sculptural ornamentation, which includes works by Sir Richard Westmacott and Edward Hodges Baily, however, was apparently never completed and an equestrian statue of King George IV, originally destined for the top of the arch, instead now stands in Trafalgar Square. The bronze gates – which bear the lion of England, cypher of King George IV and image of St George and the Dragon – were designed by Samuel Parker.
Only senior members of the Royal family and the King’s Troop Royal Horse Artillery are permitted to pass under the central arch of the monumental structure.
The arch stands close to where the Tyburn Tree once stood (for more on this, see our earlier post). It contains three small rooms which, up until the 1950s housed what has been described as “one of the smallest police stations in the world”.
There was some talk in 2005 that the arch would be moved to Speaker’s Corner but this obviously hasn’t eventuated.
