In its ultimate grandiose form, Londinium’s basilica, the city’s first civic centre, was the largest building of its day, and in fact was the largest building of its type west of the Alps.

Located where Gracechurch Street now stands, the first basilica, which served as a town hall and law courts, was first erected in 70AD on high ground to the east of the now hidden Walbrook stream. It stood at one end of the forum or marketplace, enclosed on its other sides by shops and offices.

Twenty years after the first complex containing the basilica had been constructed, work began on a second, far larger basilica and forum on the same site. This took 30 years to complete and involved the removal of surrounding houses and other nearby structures.

The new basilica, which consisted of a large hall with a nave, was three stories high and apparently could be seen from all over the city. At the eastern end of the building’s nave was a raised platform, known as a tribune, where judges would have sat. The new forum’s central rectangular courtyard measured 100 metres by 85 metres in size.

The buildings were variously repaired over the years before being largely destroyed at the start of the 4th century. Speculation is that the destruction was carried out as punishment for London’s support of Carausius, who had declared himself emperor of Britain and northern Gaul in the late 200s. It is believed the eastern end of the basilica was perhaps retained and used as a temple or perhaps even an early church.

Sections of the walls of the basilica and forum apparently still survive in basements around Gracechurch Street today (including apparently in the basement of hairdressers Nicholson and Griffin at 90 Gracechurch Street). The eastern end of the complex now lies under the Leadenhall Market.

For more, see www.museumoflondon.org.uk/Collections-Research/Research/Your-Research/Londinium/analysis/publiclife/structures/15+Forum.htm

Interesting reads on Roman Londinium include Jenny Hall’s Roman London (The Museum of London), and John Morris’ Londinium: London In The Roman Empire. It also worth getting hold of Londinium: A New Map and Guide to Roman London, an invaluable resource for those wanting to come to grips with the city in Roman times.

First laid out in the mid 17th century, Vauxhall Pleasure Gardens, on the east bank of the Thames just south of Lambeth, rose in fame to become one of London’s leading public entertainment venues.

The gardens, initially known as New Spring Gardens, are believed to have opened around the time of the Restoration of 1660 on a site which had been formerly an estate owned by vintners John and Jane Vaux (Jane was apparently widowed).

Initially apparently no more than an ale-house with a garden attached, the gardens grew to span several acres and featured a central hub and long avenues for strolling. Admission was initially free with money made from food and drink sold there. Among the earliest recorded visitors to the gardens was John Evelyn in 1661, describing it as a “pretty contrived plantation” and diarist Samuel Pepys, who wrote of a visit he made on 29th May, 1662 (he is known to have returned numerous times).

From 1729, the gardens came under ownership and management of John Tyers, entrepreneur, property developer and patron of the arts, and it was he who, until his death in 1767, oversaw the transformation of the area into an arts hotspot which included sculpture (in particular a fine statue of the composer Handel), music, painting and architecture. Thanks partly due to the patronage of Frederick, Prince of Wales, the gardens become the fashionable place to be seen.

The variety of entertainment on offer at the gardens – the name of which was only officially changed to Vauxhall Gardens in 1785 - grew substantially over the years: from concerts and fireworks displays to performances by tight rope walkers and lion tamers and even re-enactments of famous battles. The gardens became renowned as site for balloon ascents and, for its architecture – the number of buildings there grew over the years to include a rococo ‘Turkish tent’, Chinese pavilion, and, another rococo building, the Rotunda (where concerts could be held in wet weather). There was also a cascade and private ‘supper boxes’ for those who could afford them; those who couldn’t could dine at tables set under the trees.

From the outset, Vauxhall was known as a place where the sexes could mix freely and, therefore, for romantic assignations – in fact, one area of the gardens became known as the ‘Dark Walk’ for the fact it was, unlike other areas of the gardens, never illuminated by lamps and it was in this area, frequented by prostitutes, that many of the more illicit liaisons took place.

By the late 1700s and early 1800s, the gardens, one of a number of pleasure gardens in London, had reached the height of their popularity with reportedly more than 60,000 people said to have  attending a fancy dress party held one night in the late 1700s.

Those who attended events in the gardens included royalty as well as the likes of Samuel Johnson and James Boswell (see Thomas Rowlandson’s image above, Vauxhall Gardens, showing the likes of Johnson and Boswell, along with Georgina, Duchess of Devonshire, and the future King George IV, at the gardens in about 1779) as well as, much later, Charles Dickens (by the time Dickens visited, however, the heyday of the gardens was already well over).

The gardens closed in 1859 due apparently to declining popularity and were eventually replaced with housing. After being badly bombed in World War II, however, the site once again returned to being a garden, known as Spring Gardens. The gardens (pictured) still occupy the site not far from Vauxhall tube station – part of them is used by the Vauxhall City Farm as paddocks for horses and livestock and they also contain a multi-use games court.

For an authoritative and comprehensive work on the Vauxhall Gardens, try David Coke and Dr Alan Borg’s Vauxhall Gardens: A History. There’s also much more information on David Coke’s website here. There’s also a detailed history here.

David Coke is curating an exhibition at The Foundling Museum, The Triumph of Pleasure, which looks at the way in which the gardens and the establishment of the Foundling Hospital in 1739 “changed the face of British art forever”. Runs from 11th May to 9th September. For more, see www.foundlingmuseum.org.uk.

PICTURES: Wikipedia and David Adams

And so we come to the last entry in our special series on Lost London looking at some of London’s gates – this time the only gate located on the south side of the Thames.

Located at the south end of London Bridge, this gate guarded the bridge entry in medieval times. When the first gate was built here remains something of a mystery but it is known that the first stone bridge, built in the late 1100s under the direction of priest Peter de Colechurch (it opened in 1209), certainly included a gatehouse known as the Stone Gateway (referred to by some as Bridge Gate) at the southern end.

The practice of parboiling the heads of traitors and the dipping them in tar before putting them on pikes above the gate apparently dates from 1305 when Scottish rebel William Wallace’s head was displayed there. The practice apparently continued until 1678 when goldsmith William Stayley’s head was the last to be displayed there.

As we mentioned in our earlier post on London Bridge, famous heads to adorn the gateway over the years included Peasant’s Revolt leader Wat Tyler in 1381, rebel Jack Cade in 1450, the former chancellor Sir Thomas More and Bishop John Fisher in 1535, Thomas Cromwell in 1540 and Guy Fawkes in 1606.

Pictured above is an enlarged detail of a 1616 print showing London Bridge by Claes Van Visscher – the heads are clearly visible on top. One German visitor famously counted 30 heads on top when he visited in 1598.

The gate (and it should be mentioned there was also another gate on the bridge with a drawbridge which was replaced by Nonsuch House in 1577) was presumably removed sometime after 1756 when an Act of Parliament authorised the removal of shops and houses on the bridge.

Of course, there are many other gates in London – some of them smaller gates in the city walls – which have been lost to time. We’ll be looking at some more of these in future posts…

PICTURE: Wikipedia

Better known now as the name for the infamous former prison which whom its history is intertwined, Newgate was originally one of the seven principal gates of London and, like five others, originally dates back to Roman times.

The gate, which apparently took the name ‘new’ thanks to a rebuild in the early medieval era, possibly in the reign of King Henry I or King Stephen, was located close to where the street known as Newgate meets the Old Bailey (see picture – there’s a blue plaque marking the spot on Newgate).

It was used as a prison from the 12th century for housing debtors and felons  - in the 13th century King Henry III is recorded as having issued orders for the prison’s repair (You can see our earlier entry on the prison here.)

The gate’s prison function – this was really no more than a few ‘cells’ – was substantially added to in the 1420s when, apparently as required under the terms of former Mayor Richard Whittington’s will, the gate was rebuilt and a new prison building was constructed to the south on what is now the site of the Old Bailey (home of the Central Criminal Court).

The gate was eventually demolished in the mid 18th century apparently due to urban planning issues. The prison, meanwhile, continued to be used until 1902 and was finally pulled down two years later.

Originally a postern (small or secondary) gate built by the Romans, Moorgate came into its own as a larger gate in the 15th century and survived for more than 300 years before it was demolished in 1761.

The name comes from the area in which it stands – Moorfields, one of the last open pieces of space within the City of London – stood just to the north of the gate. It was originally a sparsely populated marshy expanse – so much so that when the gate was first built, the area around it was often flooded and some local residents used boats as a means of transport – but was later drained. Many people were evacuated here during the Great Fire of London in 1666 and some apparently then settled in the area which later also gained a reputation as a hiding place for highwaymen like Jack Sheppard – we’ll take a closer look at Moorfields in a later post.

The gate known as Moorgate, meanwhile, was first rebuilt as a full sized gate with towers in 1415 on the orders of then Mayor Thomas Falconer to provide access to the fields without. It was enlarged several times in medieval years before being damaged in the Great Fire. It was replaced with a ceremonial stone gate in 1672 to provide access to the now well-drained fields before being demolished in 1761 (some of the stone was apparently later used to support the newly widened central arch of London Bridge).

The gate’s name now lives on in the street known as Moorgate (originally formally known as Moorgate Street after it was first constructed in 1846) – worth noting is that the Romantic poet John Keats was born in the street. The area around the street also is also known by the name Moorgate and is home to some of the City’s key financial institutions.

There’s a plaque near where the site of Moorgate once stood at the corner of Moorgate and London Wall.

PICTURE: Moorgate in its final, ornate form. Taken from a London Wall Walk plaque.

Originally the northern gate of the Roman fort constructed in about 120 AD, Cripplegate was rebuilt several times during the medieval period before finally being demolished in 1760 as part of road widening measures.

The origins of the gate’s name are shrouded by the mists of time but it has been suggested that it was named for the beggars or cripples that once begged there or that it could come from an Anglo-Saxon word crepel which means a covered walkway.

The name may even be associated with an event which took place there in 1100 when, fearful of marauding Danes, Bishop Alwyn ordered the body of Edmund the Martyr, a sainted former Anglo-Saxon king, to be tranferred from its usual home in Bury St Edmunds to St Gregory’s Church near St Paul’s in London so that it could be kept safe. It was said that when the body passed through the gate, many of the cripples there were miraculously healed.

The gate (pictured here in an 18th century etching as it would have looked in 1663 in an image taken from a London Wall Walk plaque), which gave access in medieval times to what was then the village of Islington, was associated with the Brewer’s Company and was used for some time as a prison.

It was defensive works, known as a barbican, built on the northern side of the gate in the Middle Ages which are apparently responsible for the post World War II adoption of the name Barbican for that area of London which once stood outside the gate’s northern facade (the gates stood at what is now the intersection of Wood Street and St Alphage Garden).

The gate’s name now adorns the street known as Cripplegate as well as the name of the church St Giles Cripplegate, which originally stood outside the city walls. It is also the name of one of the 25 wards of the City of London. The original site of the gate is marked with a blue plaque.

Once the eastern-most gateway into London, Aldgate is another of London’s gates which dates from Roman times.

The gate, which stood over the short street in the City now simply known as Aldgate, was rebuilt several times during the Middle Ages before, thanks again to the need for road widening, it was demolished in 1761.

Some sections of the gate were apparently taken to Bethnel Green, just to the east, where they were rebuilt as an addition to a 17th century mansion known as Aldgate House.

The name Aldgate is generally thought to mean ‘Old Gate’ but alternative theories suggest it derives from ‘Ale Gate’ (a connection with a local alehouse perhaps?) or ‘All Gate’ (that, is, all are free to enter).

The most famous person associated with the gate is the Middle English writer Geoffrey Chaucer – he lived in apartments above it for more than 10 years – from 1374 to 1386 – while working as a customs official.

Aldgate is also one of the wards of the City of London.

PICTURE: An artist’s impression of how Roman Aldgate may have looked as seen on a plaque marking the site of the former gate (part of a series of plaques on the former London Wall Walk).

We’re launching a new ‘Lost London’ special looking at some of the now disappeared gates of London. First up is Ludgate which once stood on the western side of the city.

The gate is believed to have been constructed in Roman times and is known to have been rebuilt a several times – once in 1215 and another time after it was destroyed in the Great Fire – before being demolished in 1760 to allow for the road to be widened.

The origins of the name – which is today commemorated in street names like Ludgate Hill and Ludgate Circus – are sketchy but may have been named after the mythical pre-Roman King Lud, who was, so the legend goes, buried underneath this portal (this myth was popularised by the 12th century writer Geoffrey of Monmouth). Others have suggested ‘lud’ is a corruption of ‘flud’ or ‘flood’ and the gate was so named because it prevented the city being flooded by the River Fleet. Another possibility is that ‘lud’ is simply an old English word for a postern gate, a small secondary gate.

Whatever the origins of its name, it has been suggested it was through Ludgate that William the Conqueror passed when first entering the city. In 1377 it became a prison for petty criminals like debtors and trespassers – serious criminals were sent to Newgate – and this lasted until its final destruction.

There is a blue plaque on the wall of the church of St Martin-within-Ludgate in Ludgate Hill marking where Ludgate once stood (pictured above). It is believed that some badly corroded statues standing under a porch at the church of St Dunstan-in-the-West on Fleet Street are of Lud and his sons and were taken down from the gate before its demolition. William Kerwin’s statue of Queen Elizabeth I which dates from 1586 sits in a niche on the front of the church is also believed to have been removed from Ludgate.

The favoured place to dispatch pirates, Execution Dock was located on the north bank of the River Thames just off Wapping High Street.

Among the most famous to be executed here was Kidd himself who, having been found to have turned pirate while operating as a privateer under the authority of King William III, was hanged here on 23rd May, 1701.

The site, near where a cannon foundry operated supplying the fleet of King Henry VIII, was in-use as an execution ground for more than 400 years, from the 15th century until the last hanging in 1830 (that of pirates George Davis and William Watts).

Those convicted of piracy in the High Court of Admiralty were typically brought to Execution Dock from Marshalsea Prison (or in some cases from Newgate) in a procession across London Bridge and past the Tower of London which was led by the Admiralty Marshal or his deputy who carried a silver oar as a symbol of their authority.

In a public spectacle, the pirates were then hanged on a wooden scaffold built at low tide but unlike at other sites of execution where they were cut down after death, the victims were left hanging to allow three tides to wash over them.

The most notorious of the pirates would then be tarred and put in a gibbet to be exhibited on one of the banks of the Thames as a warning to others (Kidd’s remains were apparently left in such a state for more than 20 years at Tilbury).

The exact location of Execution Dock remains a matter of dispute with favoured locations including a spot near the Town of Ramsgate pub (where a noose still hangs today), just along from The Captain Kidd  pub near what are now known as King Henry’s Stairs and, between the two locations, a warehouse which stands on the waterfront and is prominently marked with an E (for Execution Dock). Some even suggest the site was outside the Prospect of Whitby pub further east along Wapping High Street.

There’s currently an exhibition on Captain Kidd at the Museum of London Docklands, Pirates: The Captain Kidd Story.  See here for more information.

PICTURE: Wikipedia

Hidden beneath an office building in Lower Thames Street opposite the former Billingsgate Fish Market are the remains of some of London’s best preserved Roman ruins in the form of an expansive house and baths complex.

Last weekend, the Festival of British Archaeology presented a rare opportunity to visit the property which has been the subject of an extensive conservation project.

The remains of the buildings were first discovered by workmen building the New Coal Exchange in 1848 (this was demolished in the 1960s and the current office building constructed in its place in the 1970s – the ruins now sit in its basement).

While the house – which may have formed an L-shape or three-sided building stretching around a courtyard – dates back to the 2nd century AD, the baths complex – which is believed to be located in the house’s courtyard – were added the following century. The buildings, both of which feature an underfloor heating system known as a hypocaust, are notable for the fact that they remained in use until the early 5th century AD when much of what had been Roman Londinium was then already in decline.

Visitors to the baths would first have visited the cold room (frigidarium) before moving on to the warm room (tepidarium) and then the hot room (caldarium) which was heated by the hypocaust. There they would pause to remove dirt and oils from their skin using curved metal scrapers known as strigils before retracing their steps to the cold room where they are believed to have either jumped bravely into a plunge pool or splashed cold water over themselves.

The site includes two furnaces – one at the house and another at the baths – used for heating the space under the floors. The fact both buildings were constructed of stone indicates they were either owned by a wealthy family or were for communal use, perhaps as an inn for travellers.

The objects found in the premises include hoard of bronze coins (all minted after 395 AD) and a bronze brooch, believed to have belonged to a Saxon woman who must have dropped it after 450 AD when the bath house may already have been in ruins.

You can follow the conservation work being currently being carried out on the property – a joint project involving the City of London Corporation, the Museum of London, English Heritage, Nimbus Conservation and the Institute of Archeology of University College London - here: www.billingsgatebathhouse.wordpress.com. It’s expected the ruins will next be opened to the public for the Open House weekend on September 17th/18th.