• A revamped Crown Jewels display opens today at the Tower of London to mark the Diamond Jubilee of Queen Elizabeth II. The new display features graphics, music and newly restored film footage and will focus on the coronation ceremony as its central theme, exploring how the regalia are used in the ceremony. The regalia – which includes some of the most extraordinary diamonds in the world such as the Star of Africa and Koh-i-Nur – is being displayed in the order in which it is used at the coronation ceremony. The Crown Jewels have been on show to the public at the Tower of London since at least 1661 after they were remade for King Charles II’s coronation. The previous collection had been largely destroyed in the Civil War although some pieces survived including a gilt silver spoon probably made for King Henry II or King Richard I (the “Lionheart”). For more information, see www.hrp.org.uk/TowerOfLondon/.

Five dresses worn by Diana, Princess of Wales, have gone on display at Kensington Palace  which re-opened to the public this week following a £12 million overhaul. The five dresses include a black silk taffeta gown (designed by Emanuel) which Diana wore to a fundraising event at the Goldsmith’s Hall in 1981 – her first official engagement with Prince Charles as well as a formal dinner dress of ivory silk (Catherine Walker) created for a State Banquet for the King and Queen of Malaysia in 1993 and a black ribbed silk shift evening dress (Gianni Versace) worn to the London premiere of Apollo 13 in Hammersmith in 1995. For more on the revamp of the palace see our earlier post. Or visit www.hrp.org.uk/KensingtonPalace/.

• A plaque commemorating the site where the iconic image for the cover of David Bowie’s 1972 album The Rise and Fall of Ziggy Stardust and the Spiders of Mars was photographed has been unveiled in the West End. The plaque at the somewhat innocuous site at 23 Heddon Street, just off Regent Street, was installed by the Crown Estate and unveiled this week by Gary Kemp of Spandau Ballet. The image for the album cover was shot by the late photographer Brian Ward who managed to persuade Bowie to step outside the ‘studio’ space he had rented upstairs despite the fact it was a cold, wet January night.

• On Now: At Home with the World. This exhibition at the Geoffrye Museum explores the cosmopolitan nature of London’s homes over the past 400 years and looks at how diverse cultures have helped shaped the homes – covering everything from Chinese porcelain and the tea craze of the 1700s to the use of Islamic and Indian patterns in the 1800s, the popularity of Scandinavian and American design in the 1900s and the globalism of today. The period rooms on show at the museum have been reinterpreted to highlight the international influences. This is one of a series of Stories of the World: London exhibitions taking place across the city which are exploring four aspects of life – home, identity, journeys and place – as part of the London 2012 Cultural Olympiad program. Runs until 9th September. Entry is free. For more, see www.geffrye-museum.org.uk.

The Constable of the Tower of London, General Lord Richard Dannatt, was presented with a barrel of wine in the Ceremony of the Constable’s Dues by the commander and crew of the Royal Navy destroyer, the HMS Liverpool,  last Saturday. The annual ceremony dates back to the 14th century and relates to the right of the tower’s constable to demand tolls from vessels on the Thames on behalf of the king. Previous offerings have included  barrels of rum, oysters, mussels and cockles. The HMS Liverpool, commanded by Colin N O Williams, was berthed at West India Docks before the ceremony and the wine escorted to the Tower where, after being challenged by Yeoman Warders it was delivered to the constable at the Queen’s House. The ship is to be decommissioned in spring after 30 years of service in which it saw service in Iraq, the Caribbean and during the recent Libyan conflict. For more on the Tower of London, see www.hrp.org.uk/TowerOfLondon/

PICTURE: Courtesy of Historic Royal Palaces

As we approach the end of the year, we’re taking a look back at our 10 most popular posts for 2011. We start the countdown with numbers 10 and 9…

10. LondonLife – The Royal Menageriein which, inspired by what was a new exhibition at the Tower of London, we take at the Royal Menagerie kept there by England’s monarchs for more than 600 years;

9. Treasures of London – Admiral Lord Nelson’s coat: part of a series looking at some of the many, many ‘treasures’ of London, this piece focused on the coat which Admiral Lord Nelson when he was fatally shot aboard the HMS Victory during the Battle of Trafalgar and which can now be seen at the National Maritime Museum in Greenwich (complete with bullet hole).

Stay tuned by numbers 8 and 7 tomorrow. We love to hear from you if there was a particular post that was your favorite. Leave your comment below…

Look a little deeper and you’ll find there’s often a fascinating story behind many of London’s seemingly odd place names. Churches are no exception and in this new series we’re looking at some of the stories behind the name. First up, it’s the church of St Andrew-by-the-Wardrobe, a rather austere-looking church which looms up over Queen Victoria Street.

While the present church largely dates from after World War II – it was bombed during the Blitz and only the outer walls remain of what was there before (the previous church was itself a rebuild to the designs of Sir Christopher Wren after an earlier version was burnt down in the Great Fire of 1666) – there has apparently been a church on the site since at least the 12th century. Indeed, in the 13th century it was associated with the then royal residence known as Baynard’s Castle.

The church’s rather unusual name owes its origins to King Edward III’s decision in 1361 to move the Royal Wardrobe – which included his state robes and other valuables – from the Tower of London to a new building which lay near to the church (there’s a plaque in nearby Wardrobe Place marking the former location of the King’s Wardrobe which also burnt down in the Great Fire and was subsequently relocated). Hence St Andrew-by-the Wardrobe.

While the interior of the church is a complete reconstruction of Wren’s original, it does still boast some early treasures including  an original pulpit as well as a font and cover of Wren’s period (these come from the now long gone church of St Matthew Friday Street), a figure of St Andrew dating from about 1600 and another of St Ann (mother of Mary), who is holding her daughter who is in turn holding Jesus, dating from about a century earlier. There’s also a royal coat of arms – dating from the Stuart period – which originally came from St Olave’s Old Jewry.

Among the most prominent residents in the church’s parish was the playwright William Shakespeare (there’s a rather odd oak and limewood memorial to him and a contemporary composer, singer and musician, John Dowland – who was  buried in the churchyard, inside). Another Shakespearian contemporary, Ben Jonson, also apparently lived in the parish. The church also has links with with the Mercers, Apothecaries and Blacksmiths livery companies.

Earlier this year St Andrew-by-the-Wardrobe, which is a sister church to St James Garlickhythe (another unusually named church), celebrated 50 years since its post war reopening in 1961.

WHERE: Access is via St Andrew’s Hill or Queen Victoria Street (nearest Tube stations are St Paul’s and Mansion House). WHEN: The church building and the Chapel of St Ann are normally open for visitors between 10am and 4pm weekdays while the nave is open on Fridays from 11am to 3pm (check with the church before going); COST: Free; WEBSITE: www.standrewbythewardrobe.net.

Covering almost 1,000 hectares, Richmond Park, located by the Thames in the city’s south-west, is the largest of the Royal Parks. We have talked about some of Richmond Park’s history in an earlier post, but here we’ll give a little more detail.

The park’s association with royalty goes back at least to the time of Edward I, who ruled in the late 13th and early 14th century, when it was part of the Manor of Sheen.

It was King Henry VIII who renamed the manor Richmond (after one he possessed in Yorkshire) but it was King Charles I to whom the park owes its existence as we know it.

Charles, who had brought the court to Richmond in 1625 to escape the plague, enclosed the park – then farmland and pastures – in 1637 with eight miles of walls (these still remain, albeit having been repaired) and kept 2,000 red and fallow deer inside. The move didn’t met with universal approval from his subjects but he did pay compensation and eventually give people a right of way and allow them to collect firewood after complaints.

Features within the park – which still contains 650 Red and fallow deer (don’t get too close!) – include King Henry’s mound which features a protected, although tiny, view of St Paul’s Cathedral in the city 12 miles distant – it’s said by some that it was here where King Henry VIII watched for fireworks to be set off at the Tower of London indicating Anne Boleyn had been beheaded although the truth of that remains lost to history (others say it was here he watched hunting parties in the park – perhaps more likely).

The park is also home to White Lodge – it was a hunting lodge built for King George I and is now The Royal Ballet Lower School (complete with ballet museum) – and Pembroke Lodge – this house with stunning views overlooking the Thames Valley, now a restaurant, was once home to Prime Minister Lord John Russell and later the childhood home of his grandson, Nobel Prize-winning philosopher and mathematician Bertrand Russell.

More recently created is the Isabella Plantation – a woodland garden created largely in the 1950s by George Thomson , then park superintendent, his head gardener, Wally Milleron, an area once known as The Sleyt or Isabella Slade. The garden is well worth a visit at any time of year, having been specifically designed to be interesting all year round.

Richmond Park also features a lake divided in two by a causeway – as so known as Pen Ponds – which was dug in 1746 and remains a good place to see waterbirds.

WHERE: The park is located south of the Thames-side village of Richmond (nearest tube is Richmond). WHEN: 7am in summer (7.30am in winter) to dusk; COST: Free to enter; WEBSITE:www.royalparks.org.uk/parks/richmond_park/

Recently making news headlines thanks to the work of Adrienne Barker of the University of Dundee in reconstructing his face, Simon of Sudbury wasn’t born in London and, in fact, spent much of his early life elsewhere. But, as Bishop of London and Archbishop of Canterbury, he was a key figure in the 14th century city and it was in London that he eventually met his grisly death during the Peasant’s Revolt.

Simon Theobold was born around 1316 – the son of a wealthy Norfolk merchant – and, while details of his early life are scant, it has been suggested he studied at Cambridge before eventually entering the service of William Bateman, the Bishop of Norwich. He apparently became caught in the middle of a dispute between the bishop and the Abbot of Bury St Edmunds (the details of which we don’t have time to get into here) and it was this which is said to have led to the issuing of a royal order for his arrest, a move which forced him to flee England for the papal court at Avignon.

He quickly came to the attention of the popes and took on an official role, the reward for which was the income from various positions in the English church including Chancellor of Salisbury. In 1356, Pope Innocent VI sent him on a peace mission to King Edward III and it was during this mission that he came to the attention of the king. Having never been formally outlawed, he was apparently forgiven his earlier crimes and was soon acting on behalf of the king including at the Papal court.

In 1361, Simon was made Bishop of London and spent the next 10 years in the role, as well as continuing to act for the king, notably as a diplomat.

In 1375 following the death of incumbent William Whittelsey, he was elevatated to the position of Archbishop of Canterbury. His time as archbishop was somewhat troubled – as well as facing accusations of being too close to the king, he also faced criticism over his treatment of Bible translator John Wycliffe – but it was his role in secular politics which led to his demise.

Following the accession of King Richard II in 1377, in 1380 Simon was appointed chancellor, a position which meant he bore the ultimate responsibility for the imposition of an extremely unpopular new poll tax. In 1381, there were calls for his death at the outbreak of rebellion in Kent, notably when the rebels entered Canterbury Cathedral. But as the crisis now known as the Peasant’s Revolt gained momentum, Sudbury remained with the king in the Tower of London where he apparently counselled a hard line.

King Richard II when to parley with the traitors at Mile End on 14th June and there apparently indicated that action would be taken against traitors around him (Wat Tyler was killed when the king again met the rebels, this time at Smithfield, the following day). A group of rebels subsequently stormed the tower and dragged out Sudbury and the treasurer, Sir Robert Hales. Taken to Tower Hill, they were there beheaded. Sudbury’s head, which apparently had a skullcap nailed to his skull, was impaled on a lance and put on display over London Bridge. His body was buried in Canterbury Cathedral.

The skull, meanwhile, was apparently taken down by a Sudbury man and taken back to his home town where it was kept at St Gregory’s Church. Some 630 years later, following an approach by Sudbury locals, forensic artist Adrienne Barker from the University of Dundee was asked to recontruct Simon’s head.

Following some CT scans of the skull, Barker – who carried out the work as part of her MSc Forensic Art studies under the tutelage of renowned facial reconstruction expert Professor Caroline Wilkinson - used state-of-the-art reconstruction techniques to recreate Sudbury’s facial features and complete a series of 3-D bronze-resin casts of his head. The models, one of which will be on permanent display at St Gregory’s Church in Sudbury alongside Simon’s skull, were unveiled in September.

PICTURE: University of Dundee

It’s one of London’s most famous landmarks and, having just undergone a three year, £2 million restoration, we thought it was time to take a look at the origins of the White Tower.

Now the keep of the Tower of London, the White Tower was first built by the Norman King William the Conqueror following his defeat of Saxon King Harold Godwinson and the cream of the Saxon army at the Battle of Hastings in 1066.

Following his coronation at Westminster Abbey on Christmas Day, King William then withdrew to Barking Abbey while his men built several temporary strongholds in the city to ensure it wouldn’t cause any trouble – this included an earth and timber keep standing on an artificial mound in the south-east corner of the city’s Roman-era walls.

The White Tower, a permanent structure, replaced this and although the exact date its construction started is unknown, building – under the watchful eye of Gundulf, the Bishop of Rochester, was well underway by the mid-1070s. While the labourers were English, the masons in charge of the building were Norman and then even used some Caen stone imported from William’s homeland (along with Kentish ragstone). By 1097 the tower was complete.

Primarily built as a fortress rather than for comfort, the size of the Tower was intimidating and, at 27.5 metres tall, it would have dominated the skyline for miles. Initial defences surrounding the White Tower included the Roman walls and two ditches although in later years outer walls were added to create the massive fortifications and series of towers one encounters at the site today.

The tower earned its moniker, the White Tower, from the whitewash used on its walls during the reign of King Henry II. The caps on the four turrets which stand at each corner of the tower were originally conical but were replaced with the current onion-shaped domes in the 1500s (the round tower was once home to the Royal Observatory before it moved out to Greenwich). The White Tower’s large external windows are also more modern innovations, these were added in the 1600s by Sir Christopher Wren.

The original entrance to the White Tower was on the first floor, reached by a wooden staircase (that could be removed if necessary), much as it is today while, for security reasons, the internal stone spiral staircase was placed as far from this entry as possible in the north-east turret. A stone forebuilding was later added during the reign of King Henry II but was later demolished.

Inside, accommodation for the king was provided on the second floor – it originally had a gallery above but an extra floor – still there today – was later added. Accommodation for the Tower’s constable was probably on the first floor. Both floors were divided in two – with a large hall on one side and smaller apartments on the other. These rooms now house displays on the Tower’s history – at the present these include the Royal Armouries’ exhibition ‘Power House’.

The White Tower is also home to the Chapel of St John the Evangelist which, made from Caen stone, still looks much the same as it did in Norman times. It was used by the royal family when in residence at the tower but by the reign of King Charles II had become a store for state records. These were removed in 1857. Among some of the events which took place here was the lying in state of Queen Elizabeth of York, wife to King Henry VII, after her death in 1503, and the betrothal of Queen Mary I to Philip of Spain in 1554 (by proxy, Philip was not present). Prince Charles received communion here on his 21st birthday.

Other historic events associated with the White Tower include the apparent murder in 1483 of the ‘Princes in the Tower’ – King Edward V and his younger brother, Richard, Duke of York – while legend says they were killed in the Bloody Tower, the discovery of two skeletons under stairs leading to the chapel during building works in 1674 has led some to believe that they may have been buried here.

It was also in the White Tower that King Richard II was forced to sign away his throne to King Henry IV in 1399 and it was from the White Tower that Gruffydd ap Llywelyn Fawr, the illegitimate son of  Welsh Prince Llywelyn the Great, apparently fell to his death while attempting to escape captivity in 1244.

There are tours of the White Tower daily at 10.45am, 12.45pm, and 2.15pm.

WHERE: Tower of London (nearest tube station Tower Hill); WHEN: 9am to 5.30pm, Tuesday to Saturday, 10am to 5.30pm Sunday to Monday (until 31st October); COST: Included in Tower of London admission – £19.80 adults; £10.45 children under 15; £17.05 concessions; £55 for a family (prices include a voluntary donation); WEBSITE: www.hrp.org.uk/toweroflondon/.

A new exhibition has opened at the Tower of London celebrating the Royal Menagerie which was located there for more than 600 years.

Over the years featuring everything from lions and leopards to elephants, camels, kangaroos and crocodiles, the menagerie was founded at the Tower of London during the reign of King John (1199-1216), although as far back as the reign of King Henry I (1100-1135) animals were being presented to the king as gifts. Some notable early animals included a ‘white bear’ believed to be a polar bear from Norway and an African elephant, a gift of King Louis IX of France, both of which were presented to King Henry III.

While the early location of the menagerie – which had a long history of attracting curious sightseers – remains unknown, during the rein of King Edward III (1327-1377) there is reference to it being in a position near the Middle Tower (now the main entrance to the Tower) which suggests it was then already located in what became known as the Lion Tower – a now ruined barbican built by King Edward I in 1276-77.

Animal accommodations in the Lion Tower were substantially upgraded during the reign of King James I (1603-1625) – James was noted to have enjoyed watching the lions fight other animals in the tower’s exercise yard). Further upgrades were made under the watchful eye of Sir Christopher Wren, then Surveyor of the King’s Works, between 1672 and 1675.

The office of the menagerie’s ‘keeper’, meanwhile, had been  formalised in the 1400s with the title awarded for life – it was subsequently held by some important officials.

While in 1687 some of the beasts and birds were transferred to new accommodations at St James’s Park, the menagerie remained at the Tower until 1830 when, following the death of King George IV, the decision to move the animals – then said to number 150 – to the recently founded Zoological Society of London’s zoo at Regent’s Park. Initially only some animals were sold to the zoo but by the end of 1835 the menagerie had been completely emptied with many of the remaining animals apparently sold to an American ‘showman’ Benjamin Franklin Brown who exported them to the US.

The new exhibition, Royal Beasts, is housed in the newly opened Brick Tower (entry via the Martin Tower, itself entered via the wall walk), and gives visitors views from a hitherto closed-off part of the north wall. There are also a series of life-size sculptures of various animals (see the three lions pictured), created by artist Kendra Haste, located around the tower. And, to gain a feel for how the menagerie was viewed during different eras, you can watch the short live action show featuring some of the “rarees” and “curiosities” which were housed within the tower (check with staff for times).

For more on the menagerie’s history, see Geoffrey Parnell’s guide, ‘The Royal Menagerie at the Tower of London’, available for sale at the Tower (£3.99).

WHERE: ‘Royal Beasts’, Tower of London (nearest tube station Tower Hill); WHEN: 9am to 5.30pm, Tuesday to Saturday, 10am to 5.30pm Sunday to Monday (until 31st October); COST: Included in Tower of London admission – £19.80 adults; £10.45 children under 15; £17.05 concessions; £55 for a family (prices include a voluntary donation); WEBSITE: www.hrp.org.uk/toweroflondon/.

• The history of the Royal Menagerie is the focus of a new exhibition on now at the Tower of London. Royal Beasts explores the history of the Tower menagerie which, founded during the reign of King John in the early 1200s, remained there for more than 600 years. Among the animals were lions (the first record of which dates from 1210), a grizzly bear (a gift from the Hudson Bay Company to King George III), elephants, tigers, ostriches and kangaroos. Highlights of the exhibition include modern animal sculptures by artist Kendra Haste and interactive sensory displays. The recently restored north wall walk and the never before opened Brick Tower will host some of the displays, including sights, sounds and smells of some of the animals. See www.hrp.org.uk/TowerofLondon.

A 1938 tube train will run along the western end of the Piccadilly Line this Sunday (that’s Father’s Day in case you’ve forgotten) as part of the London Transport Museum’s Heritage Vehicles on the Move 2011 programme. Leaving Northfields, the train will travel to High Street Kensington via Earl’s Court (crossing from the Piccadilly to the District Line in a move not normally experienced by the general public) before heading back down the District Line to Acton Town where it will change back onto the Piccadilly Line. The train will then undertake the “fishhook move”, visiting Heathrow Terminal 4 before going to Terminals 1,2,3 and 5. The entire journey is expected to last about two hours. Tickets, which can be purchased at the museum ticket desk or by calling 020 7565 7298, will need to be collected at Northfields Station. For more, see www.ltmuseum.co.uk/whats-on/events/vehicles-on-the-move.

• Lambeth Palace Library is celebrating the 400th anniversary of the King James Bible with a new exhibition. The exhibits include a 1611 edition of the Bible as well as Medieval Bible translations, landmark editions of the Bible which drew on the textual scholarship of the Renaissance and Reformation and early printed vernacular versions. Runs until 29th July. Admission is by pre-booking only. For information on buying tickets and more, see www.lambethpalacelibrary.org/content/2011exhibition.

On Now: Time is running out to see Sir Herbert Oakley’s collection of 27 models of European and English cathedrals at the Sir John Soane Museum. The models were made in the 1850s by William Gorringe, who was a modelmaker by appointment to Queen Victoria. Runs until 25th June. For more, see www.soane.org/exhibitions/

One of the most significant events during the early year of King James I’s reign was the discovery of the Gunpowder Plot.

The plot, which involved a group of Catholic conspirators including Robert Catesby and  Guido ‘Guy’ Fawkes (you can read more about Fawkes in our earlier entry on Bonfire Night), centred on a plan to blow up the House of Lords in Westminster Palace during the State Opening of Parliament in November 1605, thus killing the king (who had aggrieved Catholics in a public denunciation at the Hampton Court Conference in 1604; it should also be noted that he was already aware of several other failed Catholic plots to kill him) and, presumably, many MPs and Lords.

It is believed they intended replacing James with his daughter, Princess Elizabeth, whom they hoped could be made more amendable to Catholic worship.

But such a plot was hard to keep mum and an anonymous tip-off to Lord Monteagle, a Catholic, not to attend the event, led authorities to eventually uncover the plot in a basement storeroom below the House of Lords where, at around midnight on 4th November, they found Fawkes guarding the 36 barrels of gunpowder.

Fawkes was sentenced to be hung, drawn and quartered – a sentence never fully carried out after he leapt off the scaffold and broke his neck – and the other plotters, who had fled from London soon after the discovery, were either killed during subsequent arrest attempts, imprisoned or executed.

So happy was King James I – that he had Act of Parliament passed which made the 5th November a day of thanksgiving – it remained in force until 1859. Celebrations of the plot’s foiling continue every year on Bonfire Night.

But what were some of the significant places in the event? The cellar where Fawkes was arrested no longer exists – it was destroyed during a fire in 1834.

The conspirators who had been arrested were subsequently taken to the Tower of London where King James I authorised the torture of at least Fawkes and perhaps others among the conspirators. Fawkes capitulated quickly and signed two confessions (which are now in The National Archives). Another of the conspirators, Francis Tresham, died of natural causes while in the Tower.

The eight surviving conspirators went on trial at Westminster Hall – still part of the Houses of Parliament complex today; the end of the hall is visible in the above picture – in late January 1606 and were all condemned to death for treason.

Four of them were executed on 30th January in St Paul’s Churchyard outside St Paul’s Cathedral while the remaining four including Fawkes were executed the next day outside Westminster Hall in Old Palace Yard. The heads of Catesby and Thomas Percy, both of whom had been killed during a shoot-out in Staffordshire, were set up outside the Houses of Parliament.

Arrests – and in some cases executions – of others believed to be associated with the plot continued in the following months.

Another place of note in the story of the Gunpowder Plot include Syon Park in the city’s west, now the London home of the Duke of Northumberland. The aforementioned Thomas Percy was a cousin of the then Earl of Northumberland, Henry Percy, and apparently dined with the Catholic earl at the house on the night of 4th November, before the plot was uncovered.

That association subsequently led to the earl’s arrest and he was confined to the Tower for the next 15 years on the order of the king.