Lost London – Vauxhall Pleasure Gardens

First laid out in the mid 17th century, Vauxhall Pleasure Gardens, on the east bank of the Thames just south of Lambeth, rose in fame to become one of London’s leading public entertainment venues.

The gardens, initially known as New Spring Gardens, are believed to have opened around the time of the Restoration of 1660 on a site which had been formerly an estate owned by vintners John and Jane Vaux (Jane was apparently widowed).

Initially apparently no more than an ale-house with a garden attached, the gardens grew to span several acres and featured a central hub and long avenues for strolling. Admission was initially free with money made from food and drink sold there. Among the earliest recorded visitors to the gardens was John Evelyn in 1661, describing it as a “pretty contrived plantation” and diarist Samuel Pepys, who wrote of a visit he made on 29th May, 1662 (he is known to have returned numerous times).

From 1729, the gardens came under ownership and management of John Tyers, entrepreneur, property developer and patron of the arts, and it was he who, until his death in 1767, oversaw the transformation of the area into an arts hotspot which included sculpture (in particular a fine statue of the composer Handel), music, painting and architecture. Thanks partly due to the patronage of Frederick, Prince of Wales, the gardens become the fashionable place to be seen.

The variety of entertainment on offer at the gardens – the name of which was only officially changed to Vauxhall Gardens in 1785 - grew substantially over the years: from concerts and fireworks displays to performances by tight rope walkers and lion tamers and even re-enactments of famous battles. The gardens became renowned as site for balloon ascents and, for its architecture – the number of buildings there grew over the years to include a rococo ‘Turkish tent’, Chinese pavilion, and, another rococo building, the Rotunda (where concerts could be held in wet weather). There was also a cascade and private ‘supper boxes’ for those who could afford them; those who couldn’t could dine at tables set under the trees.

From the outset, Vauxhall was known as a place where the sexes could mix freely and, therefore, for romantic assignations – in fact, one area of the gardens became known as the ‘Dark Walk’ for the fact it was, unlike other areas of the gardens, never illuminated by lamps and it was in this area, frequented by prostitutes, that many of the more illicit liaisons took place.

By the late 1700s and early 1800s, the gardens, one of a number of pleasure gardens in London, had reached the height of their popularity with reportedly more than 60,000 people said to have  attending a fancy dress party held one night in the late 1700s.

Those who attended events in the gardens included royalty as well as the likes of Samuel Johnson and James Boswell (see Thomas Rowlandson’s image above, Vauxhall Gardens, showing the likes of Johnson and Boswell, along with Georgina, Duchess of Devonshire, and the future King George IV, at the gardens in about 1779) as well as, much later, Charles Dickens (by the time Dickens visited, however, the heyday of the gardens was already well over).

The gardens closed in 1859 due apparently to declining popularity and were eventually replaced with housing. After being badly bombed in World War II, however, the site once again returned to being a garden, known as Spring Gardens. The gardens (pictured) still occupy the site not far from Vauxhall tube station – part of them is used by the Vauxhall City Farm as paddocks for horses and livestock and they also contain a multi-use games court.

For an authoritative and comprehensive work on the Vauxhall Gardens, try David Coke and Dr Alan Borg’s Vauxhall Gardens: A History. There’s also much more information on David Coke’s website here. There’s also a detailed history here.

David Coke is curating an exhibition at The Foundling Museum, The Triumph of Pleasure, which looks at the way in which the gardens and the establishment of the Foundling Hospital in 1739 “changed the face of British art forever”. Runs from 11th May to 9th September. For more, see www.foundlingmuseum.org.uk.

PICTURES: Wikipedia and David Adams

10 curiously named churches of London – 10. St Olave Hart Street

One of a few London churches to have escaped the Great Fire of 1666 (the flames are said to have come within 100 metres before the wind changed direction), St Olave Hart Street is named after the patron saint of Norway, St Olaf – a figure more known for his ability as a warrior than as a saint.

King Olaf II was King of Norway in the early 11th century and an ally of the Saxon King, Ethelred the Unready. The Norwegian king won the thanks of the English after he fought alongside Ethelred against the Danes in 1014 in what some refer to as the Battle of London Bridge.

According to some, the church was built on the site of where the battle was fought – many also believe the battle was also the inspiration for the nursery rhyme, London Bridge Is Falling Down, for it was during that battle that Olaf, who was helping Ethelred retake London, is credited with using his longships to pull down London Bridge in a effort to thwart the Danish occupiers.

The church, meanwhile, was rebuilt a couple of times in the Middle Ages, when it was said to have been known as St Olave-towards-the-Tower. The church which now stands on the site was built in 1450 with the distinctive red brick on the tower added in the early 18th century.

Having survived the Great Fire in 1666, the church was not so fortunate during the Blitz when it was struck by German bombs. It was subsequently restored with King Haakon VII of Norway attending the re-opening in the mid-1950s (there is a stone laid in front of the sanctuary which he brought from Trondheim Cathedral).

Other features inside include a recently returned 17th century bust of a prominent physician Dr Peter Turner – part of a monument which went missing after World War II, it resurfaced at an auction in 2010.

The church’s most famous parishioner was the 17th century diarist Samuel Pepys who lived and worked in the nearby Naval Office (for more on Pepys see our earlier entry here). The door through which he would have entered the church is marked with a 19th century memorial.

Pepys and his wife Elizabeth are both buried in the church (the memorial Pepys commissioned for her is still there) as is his brother John. Samuel Pepys’ life is commemorated at a service held close to the day he died – 26th May – each year.

Others associated with the church include Sir William Penn, an admiral and father of the William Penn who founded Pennsylvania in what is now the United States, and Charles Dickens, who gave it the name “Ghastly Grim” thanks to the skulls above its Seething Lane entrance.

St Olave’s is also the chapel of the The Clothworker’s Company, The Worshipful Company of Environmental Cleaners and Trinity House, a charitable organisation dedicated to the safety, welfare and training of mariners established by Royal Charter from King Henry VIII in 1514.

WHERE: Corner of Hart Street and Seething Lane in the City (nearest Tube stations are Tower Hill and Monument). WHEN: See website for details; COST: Free; WEBSITE: www.sanctuaryinthecity.net/St-Olaves.html

Lost London: Gates Special – Aldersgate

Its name now more well known as one of the City of London’s 25 wards, Aldersgate was a gate opening to the city’s north, located close to where the Museum of London now stands, and was one of the city’s four original gates.

A plaque in Aldersgate Street marks where the gate once stood (there’s also an explanatory ‘London Wall’ plaque nearby) – it was finally knocked down in 1761.

The gate’s origins go back to late Roman times – it was apparently created to strengthen the city’s northern defences against Saxon incursions – and was built with two roadways passing through the wall protected by semi-circular towers. (The name apparently has nothing to do with the age of the gate as many believe but may be a corruption of a Saxon name Ealdred or come from a type of tree which grew nearby.)

An important link to places like the fair at Smithfield, St Bartholomew’s Priory and the Charterhouse in the Middle Ages, it was used as a prison and even as late as 1660, diarist Samuel Pepys writes of seeing the limbs of executed traitors displayed upon it. It was also had residential quarters above it – these were said to have been occupied at times by the City Crier and in the mid-1500s were used by printer and stationer John Day (he is said to have printed an early copy of the Bible, dedicated to King Edward VI, there in 1549).

In 1603, it was through Aldersgate that King James I entered London (his arms were later placed over the gate), and just 14 years later, in 1617, the entire gate was rebuilt. Repaired in the aftermath of the Great Fire of London in 1666 (it’s final form was said to feature, as well as the arms of King James I, statues of the Biblical figures Jeremiah and Samuel), it was finally demolished in 1761 to improve the flow of traffic.

PICTURE: Site of where Aldersgate once stood. To the right of the picture is the Church of St Botolph-without-Aldersgate.

Famous Londoners – Nell Gwyn…

Perhaps now best known as the most prominent of the many mistresses of King Charles II, Eleanor ‘Nell’ Gwyn – currently subject of a new exhibition at the National Portrait Gallery – was a renowned actress in the years after the Restoration, known for her wit and beauty – “Pretty, witty Nell “as diarist Samuel Pepys called her.

Gwyn’s (variously spelt as Gwynn or Gwynne) origins remain something of a mystery – believed to have been born around 1651, her parents remain something of a mystery (some have suggested a Cavalier, Captain Thomas Gwyn, as her father) as does the place of her birth, variously claimed to be London, Hereford or Oxford – one source from 1715 claims she was born in Coal Yard Alley, off Drury Lane in Covent Garden.

Ascribed as having various jobs during her childhood – everything from helping at a bawdyhouse to a street vendor or cinder girl – around 1663, she was working as an “orange girl” at a theatre then known as the King’s Theatre in Bridge Street (now the site of the Theatre Royal Drury Lane).

She clearly made an impression for a year later she was working as an actress and is believed to have taken prominent actor Charles Hart as her lover. It has been suggested her first recorded stage appearance was in March, 1665. She wasn’t viewed as a brilliant dramatic actress but instead came into her own in comedies where her wit, as well as her beauty, could shine.

Having already been known to have had at least two lovers – Charles Hart and aristocrat Charles Sackville, Lord Buckhurst – by 1667 George Villiers, Duke of Buckingham, had decided to bring her to the attention of the king as a possible new mistress and so increase his influence. By 1668 or 1669, Nell is believed to have succeeded in this, joining the growing number of women who could claim the title (Charles II ended up having at least 12 children by his many mistresses).

Her acting work gradually decreased and in 1670, she gave birth to Charles, her first son and believed to be the king’s seventh illegitimate child. She briefly returned to the stage in 1670-71 before retiring from the theatre for good.

In February, 1671, Nell moved into a townhouse at 79 Pall Mall (she was granted freehold of the property five years later and the property, which still stands, remains the only one on the south side of Pall Mall not owned by the Crown) and in December, she gave birth to her second child by the king, another son James (he died in Paris while attending school there 10 years later).

Both sons were given titles – Charles was later named Duke of St Albans – and given the surname Beauclerk. In the 1670s, Charles granted Nell Burford House in Windsor where she resided when the king was resident there.

In the 1670s, Nell – who continued to maintain her friendships with the likes of Villiers – successfully fought off several rivals for the king’s affection and by the 1680s, her position as the king’s mistress was not in doubt. It was during this period that the story goes when her coach was mistaken by an angry to be that of the unpopular Duchess of Portsmouth, she put her head out the window to tell them “Pray good people be silent, I am the Protestant whore”.

When King Charles II died on 6^th February, 1685, he left instructions she was to be looked after – his brother King James II both paid her debts and continued to pay her an annual pension.

Nell died less than three years later – still only aged in her thirties – on 14^th November, 1687, have suffered strokes in previous years. She was buried in the church of St Martins-in-the-Fields.

Gwyn is seen as a key figure in London during the period after the Restoration and a symbol of the hedonism of the court of King Charles II, and her rise from apparently humble origins to the royal court has been the subject of numerous books, plays and films.

Gwyn is currently featured in an exhibition currently being held at the National Portrait Gallery: The First Actresses – Nell Gwyn to Sarah Siddons. The exhibition runs until 8^th January (an admission charge applies). For more information visit www.npg.org.uk.

PICTURE: Eleanor ‘Nell’ Gwyn, by Simon Verelst, © National Portrait Gallery, London

What’s in a name?…Pall Mall

This curiously named street in the heart of London’s St James district traces the origins of its moniker back to the 17th century when the game of “pall mall” (“pell mell” and “paille maille” being among a host of alternative spellings) was played there.

The game, mentioned by Samuel Pepys in his famous diary, involves the use of a mallet and ball similar to that used in modern croquet but, according to some commentators, pall mall was more likely a predecessor of golf than croquet, with players attempting to belt the ball as far as possible along a pitch before putting the ball through a hoop suspended high off the ground.

Pall Mall, which runs parallel to The Mall from St James’ Street in the west to Haymarket in the east with an eastern extension, Pall Mall East, completing the journey from Haymarket into the northern end of Trafalgar Square, became famous in the 19th and early 20th centuries for housing numerous ‘gentlemen’s clubs’. Among those still in business are the Travellers Club, the Athaenaeum Club, the Reform Club, the Army and Navy Club, the Oxford and Cambridge Club, and the Royal Automobile Club.

St James’s Palace sits at the street’s western end and it is of note that nearly all of the southern side of the street is still part of the Crown Estate (the exception being a home Charles II is believed to have given to the actress Nell Gwynne, who apparently sensibly demanded the freehold on the property).

Other buildings along the street include Schomberg House, built for the Duke of Schomberg in the late 17th century (only the facade of which remains), and the Sir Christopher Wren-designed Marlborough House, which is tucked in between Pall Mall and The Mall and sits opposite St James’s Palace. The National Gallery and the Royal Academy also both briefly had homes in Pall Mall.

Famous Londoners – Samuel Pepys

A navy administrator and an MP who lived in London for much for the 17th century, it is for his remarkable diary – filled with reflections on great events and the intimate goings on of daily life – that Samuel Pepys is renowned around the world.

Born the son of a tailor in Salisbury Court, Fleet Street (the site is now marked with a plaque), on 23rd February, 1633, Pepys (pronounced ‘peeps’) attended St Paul’s School before moving on to Cambridge University. After graduation, he entered the household of one of his father’s cousins, Sir Edward Montagu, as a secretary around 1655 – the same year he married Elisabeth de St Michel.

Under the patronage of Sir Edward – after he became the Earl of Sandwich – Pepys was appointed Clerk of the Acts to the Navy Board – a task which saw him playing a key role in shaping the English fleet which fought (unsuccessfully) in the Second Anglo-Dutch War (1665-1667).

In 1673, he became Secretary to the Admiralty and the same year was elected an MP for Castle Rising in Norfolk (he later became an MP for Harwich). Pepys also served as president of the Royal Society from 1684-1686, and even visited Tangier where he was involved in the evacuation of the short-lived English colony there. He was imprisoned twice in later years – at least once on suspicion of supporting the Jacobites – but the charges were dropped and he retired at the age of 57 in 1690.

In 1701 he moved out to a house in Clapham and lived there until his death on 26th May, 1703 (his wife Elisabeth had died many years earlier in 1669 and they’d had no children). His extensive library – including his six volume diary – were bequeathed to Magdalene College at Cambridge.

Despite an illustrious public career, it is his diary for which Pepys is most celebrated. Covering the years from 1660 to 1669 (he only stopped writing for fear he would go blind), it records his reactions to such monumental events as Charles II’s coronation (he was present as a youth at the beheading of Charles I), the Great Plague of London in 1665 and the Great Fire of London the following year as well as intimate details from his personal life including how he spent his leisure time, his various illnesses and his sexual liaisons. Written originally in a form of shorthand, it was first published in 1825 – and only fully published in 1976 – and has since gone on to enthral and entertain millions around the world.

Among places in London which still hold a Pepys connection are St Bride’s Church (he was baptised there), All Hallows by the Tower (it was in the tower from which Pepys watched the Great Fire), St Olave’s on Seething Lane (pictured above) where Pepys and his wife are buried (he was living in Seething Lane when he started the diary and St Olave’s served as his parish church between 1660 and 1674). Further down Seething Lane, there is a bust of Pepys in the gardens which now cover the Navy Office where Pepys once lived and worked.

There is also an exhibition on Pepy’s in Prince Henry’s Room at 17 Fleet Street (the building dates from around 1610 and was a pub when Pepys was alive), although it is currently closed.  An online version of Pepys’ diary can be found at the website Pepys’ Diary. For more on Pepys’ life, we do recommend Claire Tomalin’s best-selling biography Samuel Pepys: The Unequalled Self.